Part 1: Reading and Teaching Chopin's Fiction around the World
Chapter 1
From the Beginning: Kate Chopin's Works in France
Bernie Koloski
Chapter 2
Bringing Kate Chopin to Britain: a Transatlantic Perspective
Helen Taylor
Chapter 3
Reading Kate Chopin as a Brazilian: a Transnational and Transcultural Approach
Cido Rossi
Chapter 4
What Did She Die of? "The Story of an Hour" in the Middle Eastern Classroom
Mohanalakshmi Rajakumar and Geetha Rajeswar
Chapter 5
"Moments of Life Told in Detail": Kate Chopin in Russia
Irina V. Morozova
Part 2: Comparative Studies of Chopin's Fiction
Chapter 6
Kate Chopin and the Women Writers of the German Vormärz
Heidi M. Podlasli-Labrenz
Chapter 7
Writing is Power: the Transnational Literary Dialogue in Kate Chopin's "A Pair of Silk Stockings" and Emilia Pardo Bazán's "Las medias rojas"
Eulalia Piñerio Gil
Chapter 8
Leisure, Labor, and Learning: Gendered Economics and the German Bildungsroman in Kate Chopin's Short Stories and Novels
Martina Jauch
Chapter 9
"Transatlantic Convents, Global Sisterhood: Laywomen and Nuns in Kate Chopin's "Lilacs" and Edna O'Brien's "Sister Imelda"
Francisco José Cortés Vieco
Chapter 10
The Gothic Borderlands: Monstrous Maternity and Hideous, Patriarchal Progeny in Mary Shelley's Frankenstein and Kate Chopin's The Awakening
Jessie Wirkus Haynes
Part 3: Reflections
Chapter 11
The Narrative Orchestra in Kate Chopin
Anna Maria Farabbi