Comic Art and Feminism in the Baltic Sea Region

1 Feminist Comics: An Expanding Field; Part I: Swedish feminist comics artists; 2 Swedish Feminist Comics and Cartoons at the Turn of the Millennium: Joanna Rubin Dranger and Asa Grennvall (Schagerstroem); 3 A Woman's Place (in the panel): Positioning and Framing in Comics by Nina Hemmingsson and Lotta Sjoeberg; Part II: Gender, sex, and sexuality in German-language comics; 4 A Brief History of Girlsplaining? Reading Klengel, Patu, and Schrupp with Stroemquist. Or: Reflecting Visualities of Gender and Feminism in German-Language Comics; 5 "What's in a name?": Anke Feuchtenberger's Roses and the Mythic Methodologies of her Feminist Comic Art; 6 For Sex-Positivity? Potential and limits of representating Sex and Sexuality in Ulli Lust's Comics Across Genres; Part III: Non-binary and queer expression in comics; 7 Strategies of Ambiguity: Non-Binary Figurations in German-Language Comics; 8 Feminist and Queer Aesthetics in Tove Jansson's Moomin Comics; Part IV: Addressing violence in Finnish comics; 9 Feminist Education and Empowerment: The Individual and the Collective in Emmi Nieminen and Johanna Vehkoo's Comic on Online Violence; 10 The Narrative Complexity of Showing and Telling Sexual Harassment and Violence in Kati Kovacs's Comics; Part V: Memoir and remembering in Polish and Russian comics; 11 "After all, we must be our own heroines": The Power of Feminism, Fun Home, and Form in Wanda Hagedorn's Graphic Memoir Totalnie Nie Nostalgia: Memuar; 12 Staring Back at History: Varvara Pomidor and Russian Comics