How to Build a Haunted House

Rezensionen / Stimmen

With irresistible flair, How to Build a Haunted House is chillingly clever, richly atmospheric, and a feast of gothic curiosity. Baines gives voice to houses that whisper. -- Lucy Rose, bestselling author of THE LAMB As someone who lived in one of these haunted houses, I found Caitlin Blackwell Baines' book a remarkable document of the truth. All houses are haunted, but she singles out notable sites of spectral activity and writes about them with a glorious matter-of-factualness -- Philip Hoare, author of LEVIATHAN From New Orleans to the silver screen, these houses are haunted by more than ghosts: Caitlin Blackwell Baines unpicks the spectral stitches of a gothic staple and reveals the political turbulence, commodification of tragedy and commercialisation of fear in this ectoplasmic exploration of the humble haunted house. Every horror fan, coffin boffin and certified creep needs to read this book. -- Alice Slater, author of the instant Sunday Times bestseller DEATH OF A BOOKSELLER This has that exhilarating quality that you get from the very best non-fiction. Fascinating, intriguing and thought-provoking, beautifully and intelligently written, it's as absorbing and seductive as any fictional ghost story. An absolute must-read -- Bridget Collins, bestselling author of THE BINDING Real-life violence isn't essential to the creation of haunted houses, Baines argues, but it does make ghostly visitations more likely (or perhaps just easier to sell to others). A relatively recent, Anglo-American phenomenon ... Baines is good on people's motivations for believing in haunted houses: comfort, intrigue, but most of all money [with] the rise of what she calls 'Gothic tourism' in the UK during the 20th century ... [though] preserves a degree of credulousness in the face of all the historical evidence she assembles, effectively inviting us to make up our own minds -- Jon Day * LONDON REVIEW OF BOOKS * An intriguing read that delves deep into the cultural obsession with the haunted house, and while Baines isn't afraid to play devils advocate, she's more than happy to scare the reader to death in the process. Perfect Halloween fodder * BUZZ MAGAZINE * A fascinating study of some of the world's most famously haunted houses. From local legends and ghost stories to hugely popular money-making entertainments, Caitlin Blackwell Baines give us the facts, which seldom align with the legends, while communicating the mysterious appeal of haunted places. I finished reading with a strong desire to take up ghost-hunting myself -- Lisa Tuttle, author of MY DEATH Entertaining ... we pick up all sorts of fascinating titbits on this supernatural safari. This is just the sort of book to read over Halloween, as the shadows lengthen and the candle flickers ... the author, an art historian, is less interested in whether ghosts are real than in how they and their dwellings gained such a grip on our imaginations * DAILY MAIL * A curious and curiosity-satisfying dive into the architecture, cultural obsessions and social shifts that go into creating an enduring, localised ghost story. As multi-layered as the very best hauntings -- Heather Parry, author of CARRION CROW An authoritative yet accessible examination of some of the most haunted houses in history. Rich in detail, it is wide-ranging and eclectic, and strikes the perfect balance between being both anecdotal and meticulously researched -- Lucie McKnight Hardy, author of BOUND IN BLOOD An interesting cultural exploration of some of the best-known houses where things are said to go bump in the night -- Edward Parnell, author of GHOSTLAND Why are the British so fascinated by haunted houses? Baines suggests that collectively we cannot stand the idea of grand houses standing empty or only partially used, and we must, therefore, populate these empty houses with the inhabitants that we believe should rightly be there. As a nation, we still have an anxious attachment to the past ... The more things change, the more they could yet stay the same. Whether that is a comforting thought or a horrifying one is in the eye of the beholder. -- Leon Craig * THE TELEGRAPH *