A close reading of James Baldwin's short story "Sonny's Blues" that provides insight into his life and ideas about art.
Tom Jenks's reading of James Baldwin's "Sonny's Blues" follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect.
Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art.
Rezensionen / Stimmen
Tom Jenks's appreciation of Baldwin's story is almost as moving as the text, itself. It's brilliant, perfectly elucidating not only Baldwin's writing, but reminding us of the unspoken agreement between writer and reader that reading can transport us most when each person brings equal passion to the task. * Ann Beattie, Author of The New Yorker Stories * For me, "Sonny's Blues" was love at first reading. I was callow and could not say why; I just knew "Sonny's Blues" was the kind of story I hoped to one day write. Age and education did not diminish my love; truth told, I avoided reading scholarly exegeses of the story, fearing it might turn love into mere appreciation. Tom Jenks gets that. His essay is not explication, it is affectionate illumination-a gentle guiding touch on the elbow, a soft voice suggesting and encouraging understanding. Jenks extends Baldwin's story as a precious gift, wrapped with care. All writers pray for a hand-delivery so faithful, insightful, articulate, and understanding. Jimmy Baldwin is somewhere, smiling. * David H. Bradley, Author of The Chaneysville Incident * For as long as I've known him, Tom Jenks has been meditating on how fiction works and helping legions of us get better at writing it. Jenks brings a career's worth of wisdom and insight to his appreciation of James Baldwin's "Sonny's Blues" to thrilling and edifying effect. Two American greats meet in this rich volume, and we, their students, are lucky enough to partake. * Jennifer Egan, Author of A Visit from the Goon Squad * In this unusual book, Tom Jenks offers a brilliant meditation on Sonny's Blues and, as well, a manual for writing. His engagement with the short story directs our attention to the drama that unfolds in a sentence, the diction and rhythm of Baldwin's language, the propulsion of the eight short movements that comprise the story, the scale and reach of its central question: Why must we suffer? These are the gifts of the writer's and the editor's eye, the confirmation that prodigious reading and exquisite regard can illuminate the breadth of a masterpiece. If writing is the acute observation and naming of the matter of existence, then reading as modeled by Jenks is an act of beholding. * Saidiya Hartman, Author of Wayward Lives, Beautiful Experiments *
Reihe
Sprache
Verlagsort
Zielgruppe
Maße
Höhe: 220 mm
Breite: 141 mm
Dicke: 13 mm
Gewicht
ISBN-13
978-0-19-288424-4 (9780192884244)
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Schweitzer Klassifikation
Tom Jenks is the co-founder and editor of Narrative Magazine. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis.
Autor*in
Co-founder and editor of ^INarrative^R magazine
Prologue
Act I
Act II
Act III
Epilogue
Bibliography
