The Oxford Book of Upper-Voice Polyphony is a collection of carefully curated and edited Renaissance works. Scholarly yet practical, this volume is an invaluable addition to the library of any choir looking to explore this rich genre in liturgical or concert settings.
Rezensionen / Stimmen
Styles and compositional techniques are greatly varied, with busy counterpoint and solemn homophony ensuring that there's something for all levels of ability, indicating that this book could be the basis for a course of study and a great builder of musicianship, sight-reading, and vocal technique. [...] This isn't a book you might buy just to get one or two works: it's one of those anthologies you pick up for a flick through and then realise that significant time has passed while you're enthralled by the contents. A jewel-box of high-voice loveliness and an invaluable resource. * Rebecca Tavener, Choir & Organ, August 2021 * All of the editions are beautifully and intelligently presented. Overall, this collection presents much unknown material and the music is of unerringly high quality. There is plenty to work at for even the most accomplished upper-voice ensembles, and amateur groups will significantly enhance their repertory if they work through this approachable Renaissance manual. * Jeremy Summerly, August 2021 *
Auflage
Sprache
Verlagsort
Zielgruppe
Maße
Höhe: 254 mm
Breite: 178 mm
Dicke: 12 mm
Gewicht
ISBN-13
978-0-19-353485-8 (9780193534858)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Dr Mark Keane is a choral director, educator, and organist from Ireland. He completed his doctoral studies at the Royal Irish Academy of Music/Trinity College Dublin, and is Organist and Director of Music at Tuam Cathedral, Co Galway, and Head of Music at Galway Community College.