The Oxford Book of Funeral and Memorial Music for Organ is a collection of practical repertoire for organists playing at funerals, memorial services, and services of thanksgiving. Covering a broad range of music for players of intermediate ability, it includes a mixture of established repertoire, attractive new arrangements of well-known works, and newly commissioned pieces.
Rezensionen / Stimmen
The newly released Oxford Book of Funeral and Memorial Music for Organ contains something from every era. From eight short J. S. Bach chorale preludes, to Attwood's 'Grand Dirge' for Admiral Lord Nelson, to standard gems from the Romantic era, this volume concludes with two lovely commissions by Rebecca Groom te Velde: 'On Eagles' Wings' and 'Crimond'. If I were a new organist looking for the best collection of standard classical memorial literature, I would start with this volume. * Christopher Cook, The American Organist, October 2018 * From this litany of composers it must be clear that the range of music is wide, but has all been carefully selected for popular appeal, ease of technical demands on the player and the suitability for the occasion. In short, the combination of intelligent selection, technical adroitness and musical quality, alongside the excellence of presentation, makes this a fine volume which ought to be in the library of any organist. * Robert Matthew-Walker, The Organ, Autumn 2018 * Here we have 28 pieces, including Elgar's 'Nimrod' (Enigma Variations), Louis Vierne's Berceuse and Handel's 'Ombra mai fu' (the Largo from Serse) . . . Bach is well represented [with] his alternative canonic arrangement of Liebster Jesu, wir sind hier [and] his chorale prelude Nun danket alle Gott, which is perhaps the trickiest piece in the book . . . As I played through I was pleasantly surprised to find some delightful choices: among others Satie's GymnopA (c)die no 1, Brahms's 'How lovely' (the German Requiem chorus edited musically to 68 bars) and Schubert's Andante from the 'Death and the Maiden' String Quartet. The collection is said to be for players of a moderate level of competence; nearly all are scored for manuals and pedals. I suspect many organists will be glad to have a clutch of appropriate contemplative pieces in one book rather than several. * Stuart Robinson, Sunday by Sunday (RSCM), December 18 *
Sprache
Verlagsort
Zielgruppe
Maße
Höhe: 311 mm
Breite: 232 mm
Dicke: 6 mm
Gewicht
ISBN-13
978-0-19-340119-8 (9780193401198)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Julian Elloway studied piano at the Guildhall School of Music and subsequently specialized in piano accompaniment with Paul Hamburger. After university he worked in Brighton as a choir conductor and repetiteur, especially with the University of Sussex Choir, New Sussex Opera and Brighton Festival Chorus, and as Director of Music at St Paul's, West Street, Brighton. He then became Music Editor at OUP. He now works as a freelance musician and music editor.
A Grand Dirge ; Herr Gott, nun schleuss den Himmel auf BWV 617 ; Mit Fried und Freud ich fahr dahin BWV 616 ; Nun danket alle Gott BWV 657 ; Sonatina from Cantata Gottes Zeit ist die allerbeste Zeit 'Actus Tragicus' BWV 106 ; Sinfonia from Cantata Ich steh' mit einem Fuss im Grabe BWV 156 ; How lovely are thy dwellings from Deutsches Requiem ; Largo from Symphony No. 9 'New World' ; Nimrod from Enigma Variations ; Pavane pour une infante defunte ; I know that my Redeemer liveth from Messiah ; Ombra mai fu from Serse ; O rest in the Lord from Elijah ; Lux aeterna from Requiem ; Gymnopedie no. 1 ; Andante con moto from Quartet in D minor Op. post. 'Death and the maiden' ; Bist du bei mir from 1725 Anna Magdalena Bach Notebook ; Berceuse Op. 31 No. 19 ; Folk Tune
