1. Tracing Environmental and Cohabitational Perspectives in Chinese Art and Querying the "Sinophonecene".- Part I. Habitability as Question and Praxis: How Does the Sinophonecene Matter?.- 2. The Sinophonecene in More-than-Asian Studies: Planetarity, Habitability, and the Cosmopublic.- 3. Tong Wenmin: A Walking Forest.- 4. The Sensation of Time in China's Urbanizing Environments as Captured by Sponge Gourd Collective's Video Works.- 5. Responding to Environmental Destruction through Contemporary Shanshui Art: Li Huayi's Uninhabited Landscapes and Yang Yongliang's Overpopulated Cityscapes.- 6. The Virtual Grass is Always Greener - Nature in Contemporary Media Art from the Sinophone Region.- 7. Have You Seen a Subhuman Cry? How the Films "Extractions" (Theo Jean Cuthand, 2019) and "Eme Cosmos" (Mia Yu, 2024) Explore Cosmotechnical Worldings in Canada and China.- 8. Contemporary Art in the Sinophonecene: Artistic Criticality, Defamiliarization and the Traces of Syncretic Confucianism.- Part II. Curating (with) Inhabitants - Inhabiting (with) Curators: Conditions, Perspectives, Challenges.- 9. Introduction: Co-constituting, Mediating and Querying the "Sinophonecene" through Curatorial Practice.- 10. Conversing with ZONG Xiao about "Metamorphic Ecosphere".- 11. Conversing with Mia YU about "Fossil Sunlight, Sedimentary Bodies".- 12. Conversing with GONG Jow-Jiun about "Wild Rhizome".- 13. Conversing with Bettina FREIMANN about "Clear River - Calm Sea".
