(toward) a phenomenology of acting

Rezensionen / Stimmen

"Zarrilli's book is a major contribution to the effort to create a circulation between science, art, and human experience."
Evan Thompson, Professor of Philosophy, University of British Columbia & Fellow of the Royal Society of Canada

"Written with great poetic style and evocativeness, this impressive tome takes Zarrilli's already impactful contribution to contemporary acting many steps further. It's destined to become a twenty-first-century classic."
Bella Merlin, Actor, Professor of Acting (University of California at Riverside), Author

"...takes the reader on a journey between disciplines, repositioning both processes of acting and the languages we use to reflect on and lead actor training...a far reaching and thrilling journey into the embodied processes of acting which will liberate the actor."
Ian Morgan, Performer and Course Leader MA Theatre LAB (RADA) "Zarrilli's book is a major contribution to the effort to create a circulation between science, art, and human experience."
Evan Thompson, Professor of Philosophy, University of British Columbia and Fellow of the Royal Society of Canada

"Written with great poetic style and evocativeness, this impressive tome takes Zarrilli's already impactful contribution to contemporary acting many steps further. It's destined to become a twenty-first-century classic."
Bella Merlin, Actor, Professor of Acting (University of California at Riverside), Author

"...takes the reader on a journey between disciplines, repositioning both processes of acting and the languages we use to reflect on and lead actor training...a far reaching and thrilling journey into the embodied processes of acting which will liberate the actor."
Ian Morgan, Performer and Course Leader MA Theatre LAB (RADA)