Rethinking Roland Barthes Through Performance

List of Figures
Notes on Contributors
Acknowledgements
Introduction: Contemporary Performance After Roland Barthes - Harry Robert Wilson
Part 1 - A Dictionary of Twinklings
1. 5 Theses for a Dramaturgy of Performance - Matthew Goulish and Lin Hixson
2. Ceaselessly Positing and Evaporating Meaning: A Performance Score - Pablo Pakula
3. Looking Through Old Photographs - Andy Field and Deborah Pearson
4. Recipes / Addendums / Souvenirs - greenandowens (Katheryn Owens and Chris Green)
5. Ways to Submit - Ira Brand
6. All the Sense of Real: A World of Wrestling - Simon Bayly
7. Practising Neutral Dramaturgy(ies) - Will Daddario and Harry Robert Wilson

Part 2 - Rethinking Roland Barthes, Theatre, Performance
8. We've never met but we may have fought - Simon Bayly and Ira Brand
9. For the Lover(s) of Dramaturgy: on Roland Barthes' Amateur - Swen Steinhäuser
10. The Disturbance of One System by Another - Claudia Kappenberg
11. Baffling Dramaturgy: Between the Obvious and Obtuse - Mischa Twitchin
12. Choreography, Capturing and Barthes' Notion of the Punctum - Sandra Parker
13. Body and Mask: Dramaturgies of the Face in Roland Barthes - Michael Bachmann
14. Tracing Barthes' Eastern Theatres: Empire of Signs and the Staging of Individual Cultural Interpretation - Pamela Genova
15. Unraveling Textual Soundscapes: Reading Barthes' 'The Grain of the Voice' through Söderberg's Entangled Phrases and Linehan's Body of Work - Rosa Lambert