Raman Spectroscopy in Archaeology and Art History

Analytical Raman Spectroscopy of Inks;

Raman Spectroscopic Analysis of Romano-British Wall Paintings: A Comparison Between Geographically Different Sites at the Northern Fringe of the Roman Empire;

Evidence of Pentimenti for the Authentication of Paintings: A Challenge for Analytical Science at the Interface with Art History;

Dancing on Eggshells: A Holistic Analytical Study of a Ballet Dancer on Regency Porcelain;

Pigments and Colourants;

Micro Raman Spectroscopy of Epipalaeolithic Decorated Pebbles from Arroyo Moreras 2 (Parque Darwin, Madrid);

Raman Microscopy as a Primary Technique for Identifying Micro-residues Related to Tool-use on Prehistoric Stone Artefacts;

Biological Materials of Significance to Cultural Heritage;

Discrimination of Contraband Ivories Using Long Wavelength Portable Raman Instrumentation;

Micro-Raman and Provenance Studies: The Case of Levantine Ceramics;

Raman Spectroscopy for the Identification of Materials in Contemporary Painting;

Application of Micro-spatially Offset Raman Spectroscopy to Street Art Paintings;

Raman Spectroscopy as a Cultural Heritage Forensic Tool;

Outdoor Bronze and Its Protection;

Analysis of the Degradation of Medieval Mural Paintings in the Open Air Abandoned Church of Ribera, North of Spain;

Miniaturized Raman Spectrometers Applied to Gemstone Analyses on Works of Art;

New Case Studies: Diamonds, Jades, Corundum and Spinel;

The Cultural Meanings of Color: Raman Spectroscopic Studies of Red, Pink, and Purple Dyes in Late Edo and Early Meiji Period Prints;

Raman Spectroscopy Applied to the Analysis of Typomorphic Minerals in Various Provenance Investigations of Cultural Heritage Objects;

Pitfalls in Raman Spectroscopy Applied to Art and Archaeology: A Practical Survival Guide for Non-specialists;

Subject Index