Ibn `Arab&#299's Mystical Poetics

Name: Ibn `Arab&#299's Mystical Poetics
Brand: OUP Oxford
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Erschienen am 23. August 2012

268 Seiten

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Inhalt

Cover
Contents
Abbreviations
Introduction
1. The Diwan: A Neglected Work
2. Research on the Diwan
3. This Book's Approach
1. 'A great theosophist rather than a great poet?'
1. Ibn `Arabi's ideas
(a) Oneness of being?
(b) Cosmology: the theory of emanations
(c) The Perfect Human and the Seal of the Saints
(d) The manifestation of God in the forms
2. Ibn `Arabi's poetic style
(a) Didacticism?
(b) Shifts in register
(c) Syntactic ambiguity
3. Social and historical context
2. Ibn `Arabi on Poetry: Three Prose Texts
1. Poetry as alchemy: Futu(omitted)at chapter 167
2. Poetry as a hair in the throat: the introduction to the Diwan al-Ma`arif
3. Poetry as dietary law: Futu(omitted)ahat chapter 398
4. Religion and poetry: the historical background
3. Ibn `Arabi and the Qur'an: A Series of Poems
1. Ibn `Arabi's Qur'an poems: an overview
2. 'If you bend it, you break it': the poem on Surat al-Ta(omitted)rim
3. 'There is no station': the poem on Surat al-A(omitted)z257
b
4. 'Warning is of no use': the poem on Surat al-Qamar
5. 'When the sun of souls shows its dawn': the poem on Surat al-Shams
6. 'By the setting of the sun, by the rising of the moon': the 'Ra'iyya Shamsiyya' of Makzun al-Sinjara
4. Ibn `Arabi and the Poets: Imitations and Replies
1. Ibn `Arabi and imitation
2. 'The one I do not name . . . '
3. 'You are not Noah . . . '
4. 'I am not one of those whose heart limits love . . . '
5. Rhyme and Reason: Five Ra'iyyat
1. 'I saw a flash . . . '
2. 'I saw a girl . . . '
3. 'Pleasure spread over my limbs . . . '
4. 'What Labid said, in his ignorance . . . '
5. 'On a Buraq which I created from my thought . . . '
6. Some key terms
6. 'Ultra-Monorhyme': A Stylistic Eccentricity in Comparative Perspective
1. 'So see Him in a tree and see Him in a stone . . . '
2. Ultra-monorhyme as a form
(a) Ascetic ultra-monorhyme
(b) Sufi litany ultra-monorhyme
(c) The Sufi riddling ultra-monorhyme
3. The sestina
4. Ultra-monorhyme: conclusions and perspectives for further research
7. Ibn `Arabi's Mu`ashsharat: A Comparative Approach
1. A brief survey of the form
2. The mu`ashsharat format: general characteristics
3. Beginnings and endings: al-Fazazi
(a) Alif
(b) Lam-alif
(c) Ya'
4. Beginnings and endings: Ibn `Arabi
(a) Alif
(b) Lam-alif
(c) Ya'
8. Speech and Cosmology in Ibn `Arabi's Mu`ashsharat
1. Ibn `Arabi's cosmology in the mu`ashsharat
2. Tha'-'I turned the reins of my thought . . . '
3. Climbing onto the Throne: poems dhal to (omitted)ad
4. Kaf: 'Speech like a meadow . . . '
5. Lam: 'I play with fate . . . '
6. Cap-poems: Ibn `Arabi and `Abd al-Ghani al-Nabulusi
9. Conclusion
1. 'I saw males in females . . . '
2. Epilogue: Ibn `Arabi's poetic legacy
(a) Building on Ibn `Arabi's poetry: `Abd al-Ghani al-Nabulusi
(b) The limits of Ibn `Arabi's poetic legacy
(c) Speaking on behalf of God: an idea that caught on
Appendix: The Poems
Bibliography
Index
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
V
W
X
Z

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