Schweitzer Fachinformationen
Wenn es um professionelles Wissen geht, ist Schweitzer Fachinformationen wegweisend. Kunden aus Recht und Beratung sowie Unternehmen, öffentliche Verwaltungen und Bibliotheken erhalten komplette Lösungen zum Beschaffen, Verwalten und Nutzen von digitalen und gedruckten Medien.
The first book-length study to address the impact of the legacies of slavery on Spanish cultural representations and institutions.
This groundbreaking volume explores how culture produced in Spain, from the nineteenth century to the present, both reflects and shapes ways of understanding the history and heritage of a nation sustained by colonialism and slavery. Akiko Tsuchiya and Aurélie Vialette bring together an outstanding group of scholars, artists, cultural producers, and activists in a range of fields-from history to literary studies, anthropology to journalism, and flamenco to film. Drawing on interdisciplinary and comparative methodologies, contributors address the legacies of slavery in the archive; in cultural memory sites; and in literature, music, and visual arts. How, they ask, do different cultural forms and institutions represent and reckon with this past and push for justice in the face of persistent racial discrimination? In its focus on collective memory and the cultural afterlives of slavery and antislavery, Cultural Legacies of Slavery in Modern Spain will appeal not only to Iberian and Latin American specialists but also readers across Afro-Hispanic, postcolonial, transatlantic, and critical race studies.
Akiko Tsuchiya is Professor of Spanish at Washington University in St. Louis. She is coeditor (with N. Michelle Murray) of Unsettling Colonialism: Gender and Race in the Nineteenth-Century Global Hispanic World, also published by SUNY Press. Aurélie Vialette is an Associate Professor in the Department of Spanish and Portuguese at Yale University. She is the author of Intellectual Philanthropy: The Seduction of the Masses, which was a 2019 recipient of the North American Catalan Society Prize for an Outstanding Work in the Field of Catalan Studies.
Acknowledgments
IntroductionAkiko Tsuchiya and Aurélie Vialette
Part 1: The Legacies of Slavery in the Archive
1. The Houseboys of Fernando Poo: Domestic Service in Spanish Colonial AfricaBenita Sampedro Vizcaya
2. Echoes of the Spanish Slave Trade in Nineteenth-Century LondonKirsty Hooper
3. Cosmetic of the Archive: An Autopsy of Slave Trader Antonio López y López and the General Tobacco Company in the PhilippinesAurélie Vialette
4. From Slavery to Anti-Black Racism: Racial Ideas from Cuba to CataloniaMartín Rodrigo-Alharilla and Juliana Nalerio, translated by María Cristina Urruela
Part 2: Confronting the Legacies of Slavery in Cultural Memory Sites
5. Confronting the Legacies of Slavery and Colonialism in Public Spaces: Debates around Racist and Colonial Monuments in Modern CataloniaAkiko Tsuchiya
6. Spain and the Year of Toppled Statues of Enslavers and Colonizers: The Examples of Madrid and CádizUlrike Schmieder
7. Memorialized Blackness: The Case of the Museo AtlánticoJeffrey K. Coleman
8. Public Memory Policies in Spain: How Is the Colonial Past Addressed?Oriol López Badell and Celeste Muñoz Martínez, interviewed by Akiko Tsuchiya and Aurélie Vialette, translated by María Cristina Urruela
Part 3 Interpreting the Legacies of Slavery in Literature, Music, and Visual Culture
9. Pedro Blanco, the Accursed Slave Driver: Literature and Historical Memory of Slavery in SpainGustau Nerín, translated by María Cristina Urruela
10. Searching for Cayetana's Daughter: From Goya to Carmen PosadasRosalía Cornejo-Parriego
11. The Urgency of a Black Iberian ThoughtTania Safura Adam, interviewed by Akiko Tsuchiya and Aurélie Vialette, translated by María Cristina Urruela
12. On Making Art from Hidden PlacesYinka Esi Graves, interviewed by Akiko Tsuchiya and Aurélie Vialette
13. Hispano-tropicalism: Flamencology and the Denial of Black Presence in SpainMiguel Ángel Rosales, translated by María Cristina Urruela
ContributorsIndex
Dateiformat: ePUBKopierschutz: Wasserzeichen-DRM (Digital Rights Management)
Systemvoraussetzungen:
Das Dateiformat ePUB ist sehr gut für Romane und Sachbücher geeignet - also für „fließenden” Text ohne komplexes Layout. Bei E-Readern oder Smartphones passt sich der Zeilen- und Seitenumbruch automatisch den kleinen Displays an. Mit Wasserzeichen-DRM wird hier ein „weicher” Kopierschutz verwendet. Daher ist technisch zwar alles möglich – sogar eine unzulässige Weitergabe. Aber an sichtbaren und unsichtbaren Stellen wird der Käufer des E-Books als Wasserzeichen hinterlegt, sodass im Falle eines Missbrauchs die Spur zurückverfolgt werden kann.
Weitere Informationen finden Sie in unserer E-Book Hilfe.