Asian Interventions in Global Shakespeare

Introduction : Poonam Trivedi, Paromita Chakravarti and Ted Motohashi

Part 1: The Asian 'Global' and its Discontents








Poonam Trivedi
"Making Meaning between the Local and the Global: Performing Shakespeare in India Today"




Ted Motohashi
"How could we present a 'non-localized' Shakespeare in Asia?: Colonialism and Atlantic Slave-Trade in Yamanote-Jijosha's The Tempest"




Michael Ingham
" 'We will perform in measure, time and place': Synchronicity, Signification and Cultural Mobility in Tang Shu Wing Theatre Studio's Cantonese Language Macbeth"




Mariko Anzai
"From Cultural Mobility to Cultural Misunderstanding: Japanese Style of Love in Akio Miyazawa's adaptation in the Cardenio Project, Motorcycle Don Quixote"




Andronicus Aden
"Something Rotten in the State of Dankot: Hamlet and the Kingdom of Nepal"

Part 2: The Asian Cinematic and Digital Sphere: Democratising the 'Global'




Paromita Chakravarti
"Globalising the City: Kolkata Films and the Millennial Bard"




Lingui Yang
"Shakespeare in Chinese Media and Trans-sphere"




Yukari Yoshihara
"Bardolators and Bardoclasts: Shakespeare in Manga/Anime and Cosplay"




Thomas Kullman
"Shakespeare on the Internet: Global and South Asian Appropriations"




Judy Celine Ick
"The Performance Archive and the Digital Construction of Asian Shakespeare"

Part 3: Historicising the Asian Global: Shakespeare as World Poet




Supriya Chaudhuri
"Global Shakespeare and the Question of a World Literature"




Swati Ganguly



"Beyond Bardolatry: Rabindranath Tagore's Critique of Shakespeare's The Tempest"

Afterword: Michael Dobson "All the World's His Stage, 2016"

Bibliography

List of Contributors

Index