Social Practice Art in Turbulent Times

List of Illustrations; Notes on Contributors; Acknowledgments; Introduction; Part I: Free Radicals: Origins and Proliferation; 1. Thin Generosity: Contemporary Social Practice Art and the Rhetoric of Invitation (Kerr Houston); 2. Fluxus and the Joys of the Small and Slow (Roger Rothman); 3. Taking It to the Streets: John Lennon and Yoko Ono's 1969 War Is Over! Campaign (Martha Bari); Part II: Agents of Social Change: Radical Inclusion/Radical Self-Expression; 4. Reframing Resistance And Surveillance: Lorraine O'Grady's Art Is . . . (Kim Bobier); 5. Tagging 2.0: Graffi ti Research Lab's Opposition Through Open-Source Technology (Jessica Keough); 6. Subversion of Surveillance: Anonymous Street Art, Artivism, and the Use of Social Media (Heather E. Dunn); 7. What Happens at Burning Man Doesn't Stay at Burning Man: The Social Conscience of the Artist (Eric J. Schruers); Part III: Global Perspectives: Reports from the Field; 8. Art of the Street: Revolutionary Symbols in Egypt (Liz Trapp); 9. Looking to the Past: Street Art, Public Spaces, and Contemporary French Identity (Heidi E. Kraus); 10. See What a Difference a Stay Makes: Hotel Transvaal and Kus & Sloop, Arts Hotels, and Social Entrepreneurship (Margo Handwerker); 11. Institutionalizing Protest Art: Agitprop and OFF-Biennale Budapest (Izabel Galliera); Part IV: Future Forward: The Revolution Will Be Live!; 12. Eat Me: Social Practice Art and the Politics of Food (Kristina Olson); 13. The DJ as Disruptor: Politics, Participation, and Postproduction in Contemporary DJ Culture (Michael D. Slaven); 14. Watching the Watchers: Ai Weiwei and the Art of Surveillance (Eric J. Schruers); 15. Loving Getting (Used to?) Into the Good, Bad, and Ugly (Duncan Mackenzie); Index