The Film Director Prepares

Name: The Film Director Prepares | A Complete Guide to Directing for Film and Tv
Brand: Lone Eagle
Price: 48.79 EUR
Availability: OnlineOnly

A Complete Guide to Directing for Film and Tv

Myrl A. Schreibman(Autor*in)

Lone Eagle (Verlag)

1. Auflage

Erschienen am 26. Mai 2010

256 Seiten

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978-0-307-87533-4 (ISBN)

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Beschreibung

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Inhalt

Intro
Title Page
Dedication
Contents
Foreword
Preface
Acknowledgments
Introduction
Prologue: So You Want to Be a Director?
Chapter 1 - The Written Word-The Script
Where to Begin?
Read, Read, Read
Theme
The Text
Guiding the Screenplay
Chapter 2 - Previsualization, Planning, and Actors
Storyboards and Shot Lists-The Fallacy
Planning-The Director in Collaboration
Understanding Actors-You Gotta Love 'Em!
Chapter 3 - Directors and Actors
The Director's Instinct
Directors and Casting
Director-Actor Relationships
Chapter 4 - Directing the Camera
Movement-the Visual Language
Aspect Ratio and Types of Shots
Subjective and Objective Shots
Subjective and Objective Close-up and Eye-line
Chapter 5 - Camera Coverage-Part 1
Cutting in Your Head
Coverage and the Theme
The Master Shot
The Master, the Moving Master, and the Master That Moves
Crossing the Line
Eye-line
Understanding Coverage
Standard Camera Coverage
Degrees of Shot Subjectivity-Two Characters
Three-Character Coverage
Chapter 6 - Camera Coverage-Part 2
Staging Around a Table
Multiple-Character Scenes
Coverage Process
Best Camera Position
Spatial Realities of Coverage and Dirty Shots
Reverse Angles, Staging, and Emotional Moments
Coverage and Continuity
Selective Coverage and Miscellaneous Coverage Issues
Two-Camera Narrative Coverage
The "What If?"
Chapter 7 - Moving Shots and Sequences
Dolly Shots
Hand-held Shots
Steadicam Shots
Crane and Jib Shots
Vehicle Shots
Action, Stunts, and Fights
High Angles, Low Angles, and Point of View (POV)
Chapter 8 - On the Set
The First A.D. and the Script Supervisor-The Right and Left Hands of the Director
On-set Preparation
On-set Policy
On-set with the Crew
On-set with Actors
Soundstages and Locations-Time Management and Compromise
Chapter 9 - The Director and .
Producers
Budgets
Production Designers
Cinematographers
Bagel and Lox Meetings
Editors
Then What?
Chapter 10 - Directing Television, Part 1: Scripted Formats
Movies for Television
Episodic Narrative Television
Sitcoms
Soap Operas
Chapter 11 - Directing Television, Part 2: Nonscripted
Variety Event Television
Nonfiction-Documentary and Realism
Reality Television
Chapter 12 - The Business of Directing
Overview
Negotiating and Pitching
Relationships, Networking, and Your Ego
Your Creative Introduction
The Business Around You
Be Prepared
Afterword
About the Author
Copyright

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