Interactive Storytelling

Name: Interactive Storytelling | 8th International Conference on Interactive Digital Storytelling, ICIDS 2015, Copenhagen, Denmark, November 30 - December 4, 2015, Proceedings
Brand: Springer
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8th International Conference on Interactive Digital Storytelling, ICIDS 2015, Copenhagen, Denmark, November 30 - December 4, 2015, Proceedings

Henrik Schoenau-Fog Luis Emilio Bruni Sandy Louchart Sarune Baceviciute(Herausgeber*in)

Springer (Verlag)

Erschienen am 28. November 2015

XVII, 416 Seiten

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978-3-319-27036-4 (ISBN)

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Inhalt

Intro
Preface
Organization
Invited Talks
The Siren Song of Interactive Storytelling
Interactive Narrative and Museums
Contents
Theoretical and Design Foundations
Touchscreen Poetry: Analyzing Gestural Digital Poems
Abstract
1 Introduction
2 Digital Poetry: A Theoretical Background
2.1 Between Interactive Narrative and Interactive Poetry
2.2 Practical Approaches to Interactive Digital Poetry
2.3 Touching the Story: Tangible and Gestural IDNs
3 Collecting a Corpus
3.1 Strange Rain
3.2 What They Speak When They Speak to Me?
3.3 Vniverse
4 Analysis
4.1 Unstable Textuality and Plural Narrations
4.2 Interpretive Hypotheses and Temporal Pacing in an Aesthetic Experience
4.3 Sensual and Emotional Threads for Gestural Experiences
5 Discussion and Design Insights
6 Conclusions
References
Open Design Challenges for Interactive Emergent Narrative
1 Introduction
2 Challenge 1: Modular Content
2.1 Potential Approaches
3 Challenge 2: Compositional Representational Strategies
3.1 Potential Approaches
4 Challenge 3: Story Recognition
4.1 Potential Approaches
5 Challenge 4: Story Support
5.1 Potential Approaches
6 Conclusion
References
Reflective Rereading and the SimCity Effect in Interactive Stories
1 Introduction
2 Related Work
3 Research Problem
4 Method: Close (Re)Readings
5 The Walking Dead and the Eliza Effect
5.1 Creating the Expectation of a Complex System
5.2 Breaking the Illusion of Complexity
5.3 The Eliza Effect: No Motivation for Reflective Rereading
6 Façade and the Tale-Spin Effect
6.1 Lack of Surface Visibility of the System
6.2 The Tale-Spin Effect: Lack of Visibility Impedes Rereading
7 Prom Week: Focusing on the System, Not the Story
7.1 Playing Social Games
7.2 SimCity Effect, but No Reflective Rereading
8 Blood and Laurels: Visibility of the Story As System
8.1 Understanding the System's Relationship to the Story
8.2 The SimCity Effect in Support of Reflective Rereading
9 Discussion: The Importance of Narrative Abstractions
10 Conclusion and Future Work
References
Tensions of Plot in Interactive Digital Storytelling
Abstract
1 Plot - A Narrative Lens on Interactive Digital Storytelling
2 Plot Theory
3 Plot Analysis
3.1 Plot and Plot Elements
3.2 Plot Analysis Process
3.3 IDS Sampling for Plot Analysis
4 Results of Plot Analysis of Three Types of IDS
4.1 Plot Analysis of IDS Story Completions by Youth of the Former Yugoslavia
4.2 Analysis of Interactive Plots in an IDS Fan Fiction Context
4.3 Videolog Narratives of Foreign Students' Experiences in Italy
4.4 Summary of Plot Analysis Across Three IDS Types
5 Toward Plot Analysis in Future Research and Practice
Acknowledgments
References
Design Approaches for Interactive Digital Narrative
Abstract
1 Introduction
2 Existing Approaches
3 A Design Approach for IDN
3.1 Design Process: 4 Phases
3.2 Design Heuristics
4 Conclusion
References
Adaptive Storyworlds
Abstract
1 Introduction
2 The Storyworld Challenges: Events in Space and Time
3 Interactive Stories in the Space-Time Continuum
4 The Space-Time Interactive Narrative Framework
4.1 Event Capsules
4.2 Temporal Order of Events -- the Space-Time Drama Manager
4.3 Organization of Events
4.4 Interaction with Events
5 Discussion and Conclusion
References
Technical Advances
The Moody Mask Model
1 Introduction
2 Related Work
3 The Moody Mask Model
3.1 The Bungaric Society
4 Methodology
4.1 Procedure
4.2 Protocol
4.3 Data Analysis
4.4 Participants
5 Findings
5.1 Experimental Analysis
5.2 Ux-Tool Comparison
5.3 Qualitative Findings
6 Conclusion
References
Creative Help: A Story Writing Assistant
1 Introduction
2 Creative Help
2.1 Generating Suggestions
2.2 Data
2.3 Modifying Suggestions
2.4 Story Initialization
3 Experiment
3.1 Models
3.2 Task
3.3 Evaluation
4 Results
5 Discussion and Future Work
References
Remember That Time? Telling Interesting Stories from Past Interactions
1 Introduction
2 Related Work
3 A Generalized Framework
3.1 Processing Input
3.2 Detecting Interesting Events
3.3 Generating Natural Language Output
4 Study
4.1 Raw Logs
4.2 Procedure
4.3 Results
5 Conclusions and Future Work
References
Hybrid Books for Interactive Digital Storytelling: Connecting Story Entities and Emotions to Smart Environments
1 Introduction
2 Related Work
2.1 Interactive Digital Narratives in Smart Environments
2.2 Semantic Representation and Reasoning
3 The Hybrid Book Concept
3.1 Hybrid Books as IDN Artifacts
3.2 A Prototype Hybrid Book
3.3 Representation of Story Entities and Emotions
3.4 Triggering Actions Using Story Entities and Emotions
3.5 Authoring Hybrid Books
4 Evaluation
5 Conclusions and Future Work
References
Automatic Annotation of Characters' Emotions in Stories
1 Introduction
2 The Annotation of Stories
3 Rule-Based Annotation of Emotions
3.1 Background: The OCC Model of Emotions
3.2 Mapping the OCC Model onto the Rules
3.3 Toward a Corpus of Emotionally Annotated Stories
4 Rules for the Automatic Annotation of Emotions
4.1 Examples
5 Conclusion
References
Authoring Background Character Responses to Foreground Characters
1 Introduction
2 Related Work
3 Framework
3.1 Preliminaries
3.2 Agent Model and Event-Centric Deliberation
4 Authoring
4.1 Event
4.2 Conditions
4.3 Modifiers
4.4 Context
4.5 Authoring Interface
5 Results
6 Conclusion and Future Work
References
Using a Controlled Natural Language for Specifying the Narratives of Serious Games
1 Introduction
2 Background and Related Work
3 Principles of ATTAC-L
4 ACE Based Syntax
5 Mapping to a Graphical Language
6 Tool Support
7 Evaluation and Discussion
8 Conclusions and Future Work
References
Tracery: An Author-Focused Generative Text Tool
1 Introduction
1.1 What Is Tracery
2 Related Work
3 Design Considerations
3.1 Syntax
4 A Modular Architecture: One Format, Many Tools
5 Evaluation: Case Studies
6 Future Work and Conclusions
References
A Semantic Foundation for Mixed-Initiative Computational Storytelling
1 Introduction
2 Related Work
3 The GluNet Knowledge-Base
4 Smart Storybook
5 Improv Game
6 Discussion
7 Conclusion
References
Revisiting Computational Models of Creative Storytelling Based on Imaginative Recall
1 Introduction
2 Related Work
3 Research Foundation
3.1 Skald: Improving Minstrel
3.2 Generating Natural Language from CBR Systems
4 The Story Intention Graph as a Formalism for Imaginative Recall
4.1 Overview
4.2 Why Use the SIG Model?
5 Translating Generated Plotlines into SIGs
5.1 Overview
5.2 System Procedure
6 Discussion
References
Narrative Review Process: Getting Useful Feedback on Your Story
Abstract
1 Problem Definition
2 Developing the Method
2.1 Acquiring the Treatments and Recruiting the Participants
2.2 Reader-Friendly Process: Which Questions Should We Ask?
2.3 Analysis and Synthesis
2.4 Round Table: Fruitful Discussion
3 Conclusion
4 Further Research
References
Analyses and Evaluation of Systems
Connecting the Dots: Quantifying the Narrative Experience in Interactive Media
1 Introduction
2 Background
2.1 Emergent Narrative
3 Survey Design
3.1 Questionnaire
3.2 Games
4 Results
4.1 Validation of the Questionnaire
4.2 Emergent Narrative and Game Mechanics
5 Discussion
6 Conclusion
References
Interaction in Surround Video: The Effect of Auditory Feedback on Enjoyment
Abstract
1 Introduction
2 Backgrounds
2.1 Measuring the User Experience
3 Method
3.1 Material
3.2 Design
3.3 Procedure
3.4 Participants
4 Results
5 Conclusion
6 Discussion
7 Future Research
References
Mise-en-scène: Playful Interactive Mechanics to Enhance Children's Digital Books
Abstract
1 Introduction
2 Motivation for Reading
3 Interactive Digital Books
4 Designing Mise-en-scène in Trees of Tales
5 Method
6 Research Instruments
6.1 Intrinsic Reading Motivation Scale (IRMS)
6.2 Direct Observations
7 Results and Discussions
8 Conclusion
References
Story Immersion in a Gesture-Based Audio-Only Game
1 Introduction
2 Background and Related Work
3 Experimental Approach
3.1 Hardware Setup
3.2 Immersion
4 Narrative Design Approach
4.1 Story Setting for Game Testing
4.2 Audio Feedback Dimensions
4.3 Game Versions
5 Design Principles for Environmental Audio Cues
5.1 Anticipation Principles - Pre-gesture
5.2 Attachment Principles - During-Gesture
5.3 Collision Principles - Post-gesture
6 Study Results
7 Conclusion
References
Generating Side Quests from Building Blocks
1 Introduction
2 Related Work
3 Building Blocks
4 Our Implementation
5 Evaluation
6 Conclusion and Future Work
References
Towards Measuring Consistency Across Transmedial Narratives
Abstract
1 Introduction
2 Literature Review
2.1 Transmedia Storytelling
2.2 Consistency
2.3 Subjective Consistency
2.4 Measuring Consistency
3 Consistency Scale
4 Discussion
5 Conclusion
5.1 Future Work
References
Evaluation of Yasmine's Adventures: Exploring the Socio-Cultural Potential of Location Aware Multime ...
Abstract
1 Introduction
2 Related Work
3 Yasmine's Adventures Interactive Experience
3.1 Concept and Story
3.2 The Experience Design
3.3 Technical Description
4 Methodology
4.1 Participants
4.2 Evaluation Set Up
4.3 Measures
4.4 Evaluation Findings
5 Discussion
6 Conclusions
References
What Makes a Successful Emergent Narrative: The Case of Crusader Kings II
Abstract
1 Introduction
2 Emergent Narratives and Emotional Actors
3 The Hybrid Storytelling Techniques of Crusader Kings II
3.1 Narrative Layers
3.2 The Opinion System
3.3 Family Ties
3.4 Scripted Vignettes
4 Conclusion
References
Current and Future Usage Scenarios and Applications
New Dimensions in Testimony: Digitally Preserving a Holocaust Survivor's Interactive Storytelling
1 Introduction
2 Related Work
3 Recording ``Future-Proof'' Stories
3.1 Preparing for the Interviews
3.2 Recording Process
4 System Architecture
4.1 Natural Language Processing and Interactivity
4.2 Visual Processing and Presentation
5 Examples of Use and Evaluation
5.1 Performance Evaluation of the System
5.2 Educational Impact of Stories
6 Conclusions
References
Urban Games and Storification
Abstract
1 Introduction
2 Related Work
3 Being Grunberg -- An Urban Game Case
3.1 Design
3.2 Play
4 Analysis and Discussion
4.1 Analysis
4.2 Discussion of Results
5 Conclusion and Future Work
References
Novel Dramatic and Ludic Tensions Arising from Mixed Reality Performance as Exemplified in Better Than Life
Abstract
1 Introduction
2 The User Interface
3 Scenario and Interactions
4 Methodology- Capture and Analysis
5 Theoretical Background
5.1 Trajectories
5.2 Weird Archaeology
5.3 Narrative and Dramatic Tensions
6 The Ludic Methodology: Losing Control
7 Metalepsis
7.1 Gavin Attacks the Commentator: Rhetorical Metalepsis, Trajectory of Information
7.2 When Gavin Attacks People After the Show: Ontological Metalepsis and the Transformation of the Participant
8 Conclusion and Further Enquiry
References
Social Media Fiction
Abstract
1 Introduction
2 Social Media Storytelling
3 Workshop: Micro Narratives for Community Engagement
3.1 Background
3.2 Process and Tools
3.3 Outputs
4 Discussion and Further Steps
References
Film Education for Primary-School Students
Abstract
1 Media Literacy and Film Education in Primary Schools in Germany -- The Current Situation
2 Theoretical Reflections
2.1 Media Consumption and Identity Construction -- the Value of Aesthetic Education
2.2 Pragmatic Didactics and Interactive Storytelling as a Pedagogical Concept
2.3 Play and Playful Experiences in an Interactive Storytelling Environment as Basis for Structural Perception
2.4 Educational Objective: Exemplary Teaching of Core Components of Film Design
2.5 Empirical Research on the Reception of Interactive Film
3 Conceptual Approach for an Interactive Media Environment
3.1 The Propaedeutic Learning Module
3.2 The Interactive Story Module in the Experimental Segment
4 Results and Conclusion
References
Enabling Instrumental Interaction Through Electronics Making: Effects on Children's Storytelling
Abstract
1 Introduction
2 Making-Based Storytelling for Children
2.1 The Making Phenomenon and Storytelling
3 Authorial Interactivity Through Making
4 The Maker Theater
5 Workshop Studies
5.1 Study Description
5.2 Data Collection and Analysis
6 Results
7 Discussion
8 Conclusion
References
Posters
Students as Game Designers: Learning by Creating Game Narratives in the Classroom
Abstract
1 Learning from Designing Computer Games
2 Methods
3 Designing the Story, Game World and Characters
4 Discussion
5 Conclusion
References
How Cognitive Niche Construction Shapes Storytelling?
Abstract
References
Target BACRIM: Blurring Fact and Fiction to Create an Interactive Documentary Game
Abstract
1 Introduction
2 Changing Structures
3 Competing Priorities: The Game vs the Journalism
4 'Fictioning' Fact and 'Pulling the Character'
5 Augmented Reality: Interaction, Emergence and Personalization
6 Conclusion
References
Connecting Cat - A Transmedia Learning Project
1 Introduction
2 Narrative Features and Experience Design
3 Enhancing Learning Opportunities
4 Future Work
References
Collaborative Storytelling in Unity3D
Abstract
1 Introduction
2 Materials and Methods
3 Conclusions
References
Tell a Story About Anything
1 Introduction and Motivation
2 Example Domain and User Interface
3 Storytelling by Balancing Objectives
4 Discussion and Future Work
References
Investigating Narrative Modelling for Digital Games
Abstract
1 Introduction
2 Narrative Representation in Digital Games
3 Contextual Application in Digital Games
4 Contextual Adaptation in Digital Games
5 Conclusion
References
Telling Non-linear Stories with Interval Temporal Logic
1 Introduction
1.1 Propp Example: Sausages and Crocodile Scene
2 Interval Temporal Logic
3 Describing Punch and Judy with Kripke Structures
4 Conclusions and Future Work
References
Opportunities for Integration in Interactive Storytelling
1 Introduction
2 Background and Key Technologies
3 Proposed Approach
4 Conclusion and Future Work
References
Demonstrations
The Quality System - An Attempt to Increase Cohesiveness Between Quest Givers and Quest Types
1 Introduction
2 Quality System and Structure
3 Evaluation
4 Conclusions and Future Work
References
No Reflection - An Interactive Narrative
1 Introduction
2 The Structure
3 Implementation
4 Conclusion
References
Bird Attack: Interactive Story with Variable Focalization
Abstract
1 Introduction
2 Bird Attack: Interactive Story with Variable Focalization
3 Pilot Study and Discussion
Acknowledgement
References
Workshops
Building Research and Development Bridges - Connecting Interactive Digital Storytelling Research with the Game Industry and Media Content Producers
Abstract
1 Description of the Workshop
1.1 Goals
1.2 Topics
1.3 Expected Outcomes
The Ontology Project for Interactive Digital Narrative
Abstract
1 Introduction
2 Developing an Ontology for IDN
3 Workshop Format
References
Narratologically-Inspired Models for Interactive Narrative
Abstract
1 Narratology and Interactive Digital Storytelling (IDS)
2 Reviving Narrative Theories for IDS
References
Managing the Stage: Challenges of Participatory Storytelling
Abstract
1 Background
2 Workshop Structure
3 Goals and Outcomes
Storytelling Lighting Design (ST-LiD)
Abstract
1 Introduction
1.1 Topics
2 Description
Acknowledgements
References
Creating Video Content for Oculus Rift
Abstract
1 Introduction/Workshop Background
2 Workshop
3 Workshop Outcomes
The Wish Game Workshop
Abstract
1 Introduction/Background
2 Goals of the Workshop
3 Format of the Workshop
4 Expected Outcomes of the Workshop
Mobile Storytelling 3.0: How to Create Mobile and Digital Location-Based Stories
Abstract
1 Introduction
2 Goals
3 Topic
4 Expected Outcomes
Social Media Fiction
Abstract
1 Introduction
2 Description
3 Goals and Expected Outcomes
Author Index

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