Dimensions of Curation

Preface: Ann Rowson Love and Pat Villeneuve
Acknowledgments

Part I
Chapter 1: The Dimensions of Curation Competing Values Model, Pat Villeneuve and Ann Rowson Love
Part II: Two Dimensions: Traditional, Exclusive, Sympathetic, and Inclusive Quadrants
Traditional(Object (x) + Lone Creative (y) = Traditional)
Chapter 2: Queering the Museum: From a Traditional Model Towards a More Inclusive Practice Kara Fedje
Chapter 3: Using Traditional Practice to Review the Chinese National Art Exhibition Zida Wang
Exclusive(Object (x) + Collaborative (y) = Exclusive)
Chapter 4: Iterations of Curating with Matthew Ritchie: Working Collaboratively During the COVID-19 pandemic Stefanie Dlugosz-Acton
Chapter 5: The Artist is No Longer Present: Reconsidering Cross-Border Exhibition Curating in the Post Pandemic Era Ting Zhang
Sympathetic(Audience (x) + Lone Creative (y) = Sympathetic)
Chapter 6: A Shared Body - Re-envisioning Curatorial Collaboration in an Academic Art Museum Annie Booth and Meredith Lynn,
Chapter 7:Ally is a Verb: Adopting a Sympathetic Curatorial Practice to Build Advocacy and Community Within a Teaching Museum Alexia Lobaina
Inclusive (Audience (x) + Collaborative (y) = Inclusive)
Chapter 8: Art Connects Jennifer Jankauskas and Laura Ashley N. Bocquin
,Chapter 9: Responsive, Relational, and Disruptive: A Case Study in Community-Based CurationMarianna Pegno, Christine Brindza, Patricia Lannes, and Cecilia Garibay
Part III: Three Dimensions: Exhibitions that ___
Disseminate (Object (x) + Lone Creative (y) + Democratization of Culture (z) = Disseminate)
Chapter 10: Traditional Practice that Disseminates: Native Brazil/Alien BrazilPeter Aerts
Chapter 11: Something's Off: Reconsidering Traditional Practice Michelle Sunset
Discern(Object (x) + Lone Creative (y) + Cultural Democracy (z) = Discern)
Chapter 12: Discerning the Cryosphere: Humans and Climate in Art from the Frances Lehman Loeb Art Center, Vassar College Elizabeth Nogrady
Chapter 13: Discerning with a Good Voice: HówaSte at The Heritage Center Ashley Pourier and Audrey Jacobs
Enrich(Object (x) + Collaborative (y) + Democratization of Culture (z) = Enrich)
Chapter 14: Not Just Dissemination, an Enriched Experience: Ming Dynasty Costume Exhibition Xiaonan Jiang and Xuejing Dai
Chapter 15: SKIN, a Multisensory Art Exhibition for Children Aged 8+ and Their Families Stefanie Metsemaker and Gerd Dierckx
Amplify(Object (x) + Collaborative (y) = Cultural Democracy (z) = Amplify)
Chapter 16: Challenging Romaphobia: The Case of a Romanian Carnival Mask at Mucem Julia Ferloni and Emilie Sitzia
Chapter 17: Lock & Key Creative Expression Lab: A Curated Space During the Pandemic Ashley Hartman and Melanie Rosato
Mediate(Audience (x) + Lone Creative (y) + Democratization of Culture = Mediate)
Chapter 18: The Same Four Walls: Inspiration and Reflection During a Global PandemicLesley Marchessault
Chapter 19: SCREEN IT: Mediation-Driven Inclusive Approach to Art, Technology, and Audiences Pieter Jan Valgaeren
Inspire(Audience (x) + Lone Creative (y) + Cultural Democracy (z) = Inspire)
Chapter 20: The Boneyard: Inspiring through In-Gallery Artist Demonstrations Courtney Taylor, Andy Shaw, and Grant Benoit
Chapter 21: There is No Planet B! An Audience Participation Project Meant to Inspire Aline Van Nereaux
EmpowerAudience (x) + Collaborative (y) + Democratization of Culture (z) = Empower)
Chapter 22: EmPOWER: Learning from our Youngest Community Members at the Clyfford Still Museum Nicole Cromartie and Bailey H. Placzek
Chapter 23: Anybody Home? Roselyne Francken and Tammy Wille
Act(Audience (x) + Collaborative (y) + Cultural Democracy (z) = Act)
Chapter 24: Collaborative Reach of a Site-Specific Exhibition that Addresses School Segregation Katie Fuller and Patricia O'RourkeChapter 25: Boundless Hospitality: M From a Different Perspective Sofie Vermeiren
Part IV: Curatorial Change and Tools
Chapter 26: One Museum, Three Dimensions of Curation: A Script Jay Boda, Charlie Farrell, Madison Grigsby, Anneliese Hardman
Chapter 27: You Say You Want a Revolution: Empowering the Edu-Curator Emily Dellheim,
Chapter 28: M Leuven: A Holistic Approach in Exhibition MakingPeter Carpreau and Sofie Vermeiren
Chapter 29: Inclusive Curatorial Practice Lynette A. Zimmerman
Chapter 30: Toward an Interactive Model of Competing Values: From Visualization to Toolkit Morgan Joseph Hamilton
Chapter 31: Dimensions of Education: Adapting the Curatorial Model for Museum Education Audrey Jacobs and Ashley Williams
About the Contributors