Continuity Supervisor

Chapter 1 Introduction; Chapter 2 Out of Sequence Shooting: 1; Chapter 3 Out of Sequence Shooting: 2; Chapter 4 Shots in Scenes Out of Order; Chapter 5 The Work of Continuity; Chapter 6 Setting up: General; Chapter 7 The Production Team: 1; Chapter 8 The Production Team: 2; Chapter 9 The Crew; Chapter 10 The Script: 1; Chapter 11 The Script:2; Chapter 12 Scene Breakdown; Chapter 13 Timing the Script; Chapter 14 Booking Facilities; Chapter 15 Artists and How to Book Them; Chapter 16 Supporting Artists; Chapter 17 Children and Animals: 1; Chapter 18 Children and Animals: 2; Chapter 19 Locations: 1; Chapter 20 Locations: 2; Chapter 21 Accommodation; Chapter 22 Travel; Chapter 23 Food(or to Location Cater or Not...; Chapter 24 Insurance; Chapter 25 Costume and Make-Up; Chapter 26 Props and Design; Chapter 27 Shooting Schedule: 1; Chapter 28 Shooting Schedule: 2; Chapter 29 Shooting Schedule: 3; Chapter 30 Documentary-type Productions; Chapter 31 'Find Out All You Can About...'; Chapter 32 What to Take on Location...; Chapter 33 ...and Don't Forget the Boots...; Chapter 34 Specialised Observation; Chapter 35 Continuity: A Team Effort?; Chapter 36 Your Role Within the Unit; Chapter 37 Making Mistakes; Chapter 38 Knowledge of the Script; Chapter 39 Coverage Planned; Chapter 40 How to Keep Informed; Chapter 41 How to Describe Shots; Chapter 42 Other Terms Used; Chapter 43 Other Terms in General Use; Chapter 44 Know What to Observe: 1; Chapter 45 Know What to Observe: 2; Chapter 46 Priorities; Chapter 47 Props; Chapter 48 Costume; Chapter 49 Continuity of Action; Chapter 50 Continuity of Action and Dialogue; Chapter 51 Drama Situations; Chapter 52 Crossing the Line; Chapter 53 Screen Direction; Chapter 54 Drawings and Diagrams; Chapter 55 Rehearsals and Actors; Chapter 56 The Complete Scene; Chapter 57 Fred and Mabel: Coverage Planned; Chapter 58 Wide Angle: Fred and Mabel: Scene 1; Chapter 59 Wide Angle: Fred and Mabel: Scene 2; Chapter 60 Remaining Coverage: Fred and Mabel: Scene 1; Chapter 61 Remaining Coverage: Fred and Mabel: Scene 2; Chapter 62 Fred and Mabel: Edited Sequence; Chapter 63 Direct and Indirect Continuity; Chapter 64 Matching Continuity; Chapter 65 Shooting on Videotape; Chapter 66 Working on Documentary-Type Productions: 1; Chapter 67 Working on Documentary-Type Productions: 2; Chapter 68 Writing it Down; Chapter 69 When you Make Notes; Chapter 70 Continuity Report Sheet: General; Chapter 71 Continuity Report Sheet: Logging the Shots; Chapter 72 Continuity Report Sheet: Technical; Chapter 73 Continuity Report Sheet: Camera Information; Chapter 74 Continuity Report Sheet: Continuity; Chapter 75 Continuity Report Sheet: Details of Shooting; Chapter 76 Writing on the Script; Chapter 77 Other Paperwork; Chapter 78 Timing on Location; Chapter 79 Information for the Editor; Chapter 80 Coverage/Tramline Scripts; Chapter 81 Shot Listing; Chapter 82 The Realities of it All; Chapter 83 Post Production; Chapter 84 Editing the Picture: 1; Chapter 85 Editing the Picture: 2; Chapter 86 Editing the Picture: 3; Chapter 87 Editing the Sound; Chapter 88 Working in Widescreen; Chapter 89 Copyright: 1; Chapter 90 Copyright: 2; Chapter 91 Post Production Script; Chapter 92 Film and Videotape Formats: 1; Chapter 93 Film and Videotape Formats: 2;