Interactive Storytelling

Name: Interactive Storytelling | 11th International Conference on Interactive Digital Storytelling, ICIDS 2018, Dublin, Ireland, December 5-8, 2018, Proceedings
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11th International Conference on Interactive Digital Storytelling, ICIDS 2018, Dublin, Ireland, December 5-8, 2018, Proceedings

Rebecca Rouse Hartmut Koenitz Mads Haahr(Herausgeber*in)

Springer (Verlag)

Erschienen am 26. November 2018

XIX, 668 Seiten

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Inhalt

Intro
Preface
Authoring Our Own Disciplinary Identity as the Interactive Digital Narrative Field Matures
Organization
Contents
Introduction
Research into Interactive Digital Narrative: A Kaleidoscopic View
Abstract
1 Through the Kaleidoscope, and Across the Decades
1.1 Why Kaleidoscopic?
1.2 This Moment in Temporal Context
2 The First Wave
3 A Turning Point in the Late 1990s
3.1 Stories as Simulations
3.2 The Current Moment
4 The Disciplinary Advantage
4.1 Turning the Kaleidoscope
4.2 Aesthetic Vocabulary for IDN
4.3 Kaleidoscopic Form
References
The Future of the Discipline
Science Considered Helpful
1 Introduction
2 What Would a Science of Narrative Even Mean?
3 What Do We Mean by Narrative?
4 What Do We Mean by Science?
5 On the Relation of Cases to Methodology in Computational Narrative
6 Horswill's Conclusion
7 Let Me Sum up
References
Thoughts on a Discipline for the Study of Interactive Digital Narratives
Abstract
1 Introduction
2 Foundational and Historical Aspects
2.1 Interdisciplinarity
2.2 Games Studies
3 Three Essential Aspects
3.1 Academic Evaluation
3.2 Academic (Dis)Continuity
3.3 Formal Education
4 Criteria for Academic Disciplines
5 Disciplinary Characteristics of the IDN Research Field
6 Discussion: Ways to Move Forward
6.1 Approaching Current and Future Research Topics
6.2 A Professional Association: ARDIN's Role
7 Concluding Remarks
References
A Villain's Guide to Social Media and Interactive Digital Storytelling
Abstract
1 Introduction
2 The Price of Lies
3 Knowing Your Audience
4 Disinformation and Discord
5 Procuring Victims
6 Finding Minions
7 Dismaying Our Enemies
8 Mining
9 Stealing Candy from a Baby
10 Abusing Agents and Blowing Stuff up
11 Related Work
12 Conclusion
Acknowledgments
References
Theory and Analysis
Re-Tellings: The Fourth Layer of Narrative as an Instrument for Critique
1 Introduction
1.1 Traditions of Narratological Theory
1.2 Three Layers of Text Constituting Interactive Narrative Systems
2 Fundamental Terms and Concepts
3 Text Layers in Interactive Narrative Systems
4 Code Layer
5 Story Layer
5.1 The Deep Structure
5.2 Action, Event, State and Antecedent Driving Forces
6 Discourse Layer and the States of the Agents
7 The Fourth Layer of Narrative: The Re-Telling
7.1 The Tale of Alice and Kev
7.2 Re-Tellings as an Instrument for Critique
8 Conclusion
References
Comparing Player Responses to Choice-Based Interactive Narratives Using Facial Expression Analysis
1 Introduction
2 Related Work
2.1 Classifying Emotions
3 Method
3.1 The Wolf Among Us
3.2 Measuring Affect
3.3 Encoding
4 Results
5 Conclusions
References
Ludonarrative Hermeneutics: A Way Out and the Narrative Paradox
Abstract
1 Introduction
2 Summarizing A Way Out
3 Theoretical Background
3.1 Harmony, Dissonance and Narrative Paradox
3.2 Ludonarrative Hermeneutics
4 Method: Analysis of Let's Play Videos
5 Analysis
6 Discussion
7 Conclusion
References
The Myth of 'Universal' Narrative Models
Abstract
1 Introduction
2 Defining Interactive Digital Narrative
3 Narrative Structure in IDN
3.1 Aristotelian Poetics and the Hero's Journey
3.2 The Inadequacy of the Hero's Journey for IDN
4 Narrative Structures: Beyond the Hero's Journey
4.1 Etiological Oral Narratives
4.2 Bengali Widow's Narratives
4.3 Ganga Comics
4.4 Sira Narratives
4.5 Epiphanic Structure
5 Concluding Remarks
References
Predictability and Plausibility in Interactive Narrative Constructs: A Case for an ERP Study
1 Introduction
2 Predictability and Plausibility
2.1 Related Terms
2.2 Storyworld Consistency
3 Narrative Cognition
4 Experimental Design and Implementation
5 Procedure
6 EEG Data Recording and Treatment
7 Results
7.1 Questionnaires
7.2 Individual Subjects' ERP Analysis
7.3 Grand Averages
8 Discussion
9 Conclusions
References
Meta-communication Between Designers and Players of Interactive Digital Narratives
Abstract
1 Designer-Player Meta-communication
2 Methods
2.1 The Twine IDN Workshop
2.2 Data and Data Analyses
3 Findings: What Meta-communications Do Novice IDN Players and Designers Express During a Two-Hour Design/Play Processes with Twine?
4 Findings: What Are the Features of Beginning Twine IDN Designs?
5 Findings: How Do Player-Designer Meta-communications Relate to IDN Design Complexity?
6 Conclusion and Implications for Future Research and Practice
References
A Framework for Creative Teams of Non-fiction Interactive Digital Narratives
1 Introduction and Background
2 A Framework for Creating Non-fiction IDN Systems
3 Conclusion
References
A Multidimensional Classification of Choice Presentation in Interactive Narrative
Abstract
1 Introduction
2 Method
3 Classification
3.1 Categories
4 Limits
5 Conclusion
Acknowledgements
References
Narrative Consistency across Replays of Pro-social Interactive Digital Narratives
Abstract
1 Introduction
2 Dimensions of Narrative Consistency in IDNs
3 Evaluating Narrative Consistency in IDNs
4 The Narrative Consistency Scale
5 Conclusion
References
Sketching a Map of the Storylets Design Space
1 Introduction
2 Defining Storylets
2.1 Common Elements and Precondition Types
2.2 Repeatability
2.3 Internal Structure
2.4 Content Selection Architectures
3 Conclusions
References
Creating and Sharing Interactive Narrative Design Knowledge - A Multipronged Approach
Abstract
1 Introduction
2 Verifying Interactive Narrative Design Conventions
2.1 Defining Design Conventions
2.2 Verification
3 A Specific Ontology for IDN Conventions
4 Online Platform
5 Local Events
6 Concluding Remarks
References
Exploring Bloom's Taxonomy as a Basis for Interactive Storytelling
1 Introduction
2 Related Work
3 Bloom's Taxonomy and Interactive Narrative
3.1 Learning Objectives as Logical Formalisms
3.2 System Architecture
4 Discussion
References
A Tool for Interactive Visualization of Narrative Acts
Abstract
1 From New Writing Practices to New Authoring Tools
2 The Visualization Interface
3 Administration Interface
4 Technical Specifications
5 Preliminary Evaluation
6 Conclusion
Acknowledgements
References
A Research on Storytelling of Interactive Documentary: Towards a New Storytelling Theory Model
Abstract
1 A New Storytelling Theory Model of Interactive Documentary: Start from Two Streams
2 Research Work
3 Results
4 Status and Next Steps
References
Agency and Authorship in Ludic Narrative Environments
1 Introduction
2 Research Design
2.1 Rationale and Research Question
2.2 Methodology
2.3 Participants
2.4 Case Studies
3 Status of the Research Work
3.1 Framework and Methodology
3.2 Future Work
References
Practices in Games
Playing with Vision: Sight and Seeing as Narrative and Game Mechanics in Survival Horror
1 Introduction
2 Obscuration
3 Distortion
4 Mediation
5 Perspectivity
6 Disruption
7 Narrative Aspects
8 Summary
References
"The Link Out"
Abstract
1 Introduction
2 Epiphany in Historical Context
3 Epiphany in Digital Games
3.1 Ludic Epiphany in the Witness
3.2 Ludonarrative Epiphany
4 Concluding Remarks
References
Narrative-Led Interaction Techniques
Abstract
1 Introduction
2 Related Works on Narrative Interaction Design
3 Interaction Techniques Classification Model
3.1 Press (Low, Instantaneous, General - LIG)
3.2 Rhythmic Press (High, Instantaneous, General - HIG)
3.3 Hold (Low, Continuous, General - LCG)
3.4 Hold and Release (High, Continuous, General - HCG)
3.5 Opportunity Press (Low, Instantaneous, Specific - LIS)
3.6 Quick Press (High, Instantaneous, Specific - HIS)
3.7 Time-Limited Hold (Low, Continuous, Specific - LCS)
3.8 Pump (High, Continuous, Specific - HCS)
4 Interaction Techniques for Narrative Purposes
5 Applying Interaction Techniques for Narrative Purposes
6 Decreasing the Complexity of Interaction Techniques for Narrative Purposes
7 Discussion
8 Conclusion and Future Work
Acknowledgments
References
Perceived Agency as Meaningful Expression of Playable Character Personality Traits in Storygames
Abstract
1 Introduction
2 Related Work
3 Research Problem
4 Method
4.1 Study Procedure
5 Findings
5.1 Managing the Playable Character's Personality and Relationships
5.2 Game Objectives and the Playable Character's Role
5.3 Time Needed to Develop a Connection with the Playable Character
6 Discussion
7 Conclusion
References
Filling in the Gaps: "Shell" Playable Characters
Abstract
1 Introduction
2 Related Work
3 Research Problem
4 Methodology
5 Findings
5.1 Partial or Inconsistent Characterisation
5.2 Choices
5.3 Role of the Player
6 Discussion
6.1 Interpreting What Is not There and What May Be There: Gaps and Ambiguity
6.2 We Are Connected, yet I Am not You and You Are not Me
7 Conclusion
References
A Model for Describing Alternate Reality Games
Abstract
1 Introduction
2 Background Literature
3 Methodology
4 The Model
5 Case Studies
5.1 Overwatch: Sombra ARG
5.2 Cloverfield
6 Conclusion
References
Frammenti: The ARG About Erasing Memories, That Was Forgotten
Abstract
1 Introduction
2 Frammenti: Italy's First ARG
2.1 How It All Started: Concept, Pre-production, and Production
2.2 Release of "Frammenti": The ARG Experience
3 "Frammenti" Compared to Some Contemporary ARGs
4 Conclusion
Acknowledgments
References
Structuring Digital Game Stories
Abstract
1 Introduction
2 Structuring Space and Time
3 Playing Space and Time
4 Conclusion
References
Player Identity and Avatars in Meta-narrative Video Games: A Reading of Hotline Miami
Abstract
1 Identity, Simulation and Avatars
2 Interactive Ambiguity in Hotline Miami
3 Conclusions
References
Throwing Bottles at God: Predictive Text as a Game Mechanic in an AI-Based Narrative Game
1 Introduction
2 Predictive Text as a Game Mechanic
3 Other Design Elements
3.1 Evaluation of Player-Composed Messages
3.2 Generative NPC ``Dialogue''
4 Conclusion
References
The Story Pile - Representing Story in the Board Game Mind Shadows
1 Introduction
2 Playing Mind Shadows
3 Development and Design Considerations
References
Margaret's
1 The Story
2 Methodology
References
Narrative Game Mechanics and Interactive Fiction
Abstract
1 Research Work
2 Analytical Framework
3 Status and Next Steps
References
Practices in Virtual Reality
Measuring User Experience on Interactive Fiction in Cinematic Virtual Reality
Abstract
1 Interactive Fiction in Cinematic Virtual Reality
2 A Framework Proposal for IFcVR User Experience Evaluation
3 The IFcVR Evaluation Protocol
3.1 Design
3.2 Participants
3.3 During the Experience
3.4 After the Experience
4 Findings
4.1 During the Experience
4.2 After the Experience
5 Conclusions and Further Work
References
Director's Cut - Analysis of Aspects of Interactive Storytelling for VR Films
1 Introduction
2 Related Work
3 Methodology
3.1 Collection of Data from Professional Filmmakers
3.2 Collection of User Data
4 Analysis and Discussion
4.1 Comparison of Scan-Paths
4.2 Evaluation of General Questionnaire
4.3 Individual Evaluation of Videos and Video Related Questionnaires
4.4 Overall Findings and Discussion
5 Conclusion
References
Spatial Storytelling: Finding Interdisciplinary Immersion
Abstract
1 Overview
2 Immersive New Media
2.1 Immersion and the Spatial Presence Models
2.2 Immersion in Interactive Digital Narratives
3 Immersive Spatial Narratives
3.1 We Are Immersed in Space
3.2 Time and Space
3.3 Body and Space
3.4 A Way Forward with Spatial Storytelling
4 Conclusions
References
Cue Control: Interactive Sound Spatialization for 360 Videos
1 Introduction
2 Audio Perception in Interaction
3 Cue Control
4 Pilot Study and Future Work
References
Social Viewing in Cinematic Virtual Reality: Challenges and Opportunities
Abstract
1 Introduction
2 Challenges and Approaches for Social Viewing in CVR
2.1 Challenge 1: Viewport Sharing
2.2 Communication
2.3 Social Awareness
2.4 Synchronization/Navigation
2.5 Input Device
2.6 Role Concept
2.7 Asymmetric Environments
3 Conclusion and Future Work
References
Making New Narrative Structures with Actor's Eye-Contact in Cinematic Virtual Reality (CVR)
Abstract
1 Introduction
2 Cinematic VR and Acting Person-Audience Interaction
3 Actor's Interaction in Cinematic VR with Eye Contact
3.1 Eye Contact: From Taboo to New Grammar
4 A Preliminary Study for the Scaled-Up Study
References
Jonathan Swift: Augmented Reality Application for Trinity Library's Long Room
Abstract
1 Introduction
2 Concept Development
3 Technical Process
4 Augmented Reality App
5 Conclusion
Acknowledgments
References and Notes
Leaving the Small Screen: Telling News Stories in a VR Simulation of an AR News Service
Abstract
1 Introduction
2 Building Blocks of a Location-Based AR News Service
3 Description of the System
4 Status and Next Steps
References
Sleep Tight Johnny Idaho A Multicultural Exploration into Virtual Reality
Abstract
1 Introduction
2 Cultural Diversity
3 Demos
Acknowledgements
References
Faoladh: A Case Study in Cinematic VR Storytelling and Production
1 Introduction
2 Adapting Cinematic Storytelling to VR
3 Deep Focus Staging
4 Narrative Pacing
5 Conclusion
References
Cinematic VR as a Reflexive Tool for Critical Empathy
Abstract
1 Introduction
2 Conceptual Framework
3 My Cinematic VR Projects
4 Future Steps
References
Practices in Theater and Performance
Partners: Human and Nonhuman Performers and Interactive Narrative in Postdigital Theater
Abstract
1 Performance in Postdigital Culture
1.1 Entering Real-Time
1.2 Liveness in Real-Time
2 The Postdigital Playwright
2.1 Postdigital Performers: Human and Non-human Partners
3 Postdigital Theater Histories and Contemporary Practices
4 Conclusion
References
'What Country, Friends, Is This?' Using Immersive Theatre Practice to Inform the Design of Audience Experience in Estate 360°
Abstract
1 Context
1.1 Background
1.2 Overview
2 ESTATE - Audience Experience as a Felt Scenography
3 Adapting Immersive Performance to 360-Degree Video
3.1 Spatial Relationships in 360-Degree Video
3.2 Experimenting with Camera Positions in 360-Degree Video
3.3 Post-production Dramaturgy
4 Making Space Speak - Interim Conclusions
References
From Literary Novel to Radio Drama to VR Project
Abstract
1 Introduction
2 The thousand autumns of Jacob de Zoet
3 Storytelling and VR
4 Radioplay and Storytelling
5 Generative Design as a Research Approach
6 Design Research: Merging Radio Drama with VR
6.1 Environmental Storytelling Through Interaction
6.2 Environmental Storytelling Through Mood and Emotion
6.3 Environmental Storytelling Through Sound
7 Conclusion and Discussion
Acknowledgements
References
fanSHEN's Looking for Love: A Case Study in How Theatrical and Performative Practices Inform Interactive Digital Narratives
Abstract
1 Introduction
2 Context about fanSHEN
2.1 fanSHEN's Trajectory Towards Interactive Digital Performance
2.2 Looking for Love: fanSHEN's First Piece of Interactive Fiction
3 Narrative Structures and Theatrical Elements in Looking for Love
3.1 Narrative Structures and Dramaturgies
3.2 Personalization and Privacy
3.3 The Role of the Participant/Spectator
3.4 Looking for Love as Immersive or One-on-One Performance
4 Conclusion
References
Vox Populi
Abstract
1 Introduction
2 Contents of the Project
3 Project Aims
4 Current State
References
Generative and Assistive Tools and Techniques
Automatic Detection of Conflicts in Complex Narrative Structures
Abstract
1 Dramatic Conflict: A Proteiform Concept
2 Conflicts and Their Modelling
2.1 A Unified Model of Conflict
2.2 Exercises in Conflict Type
3 Implementation
3.1 Structures and Algorithms
3.2 The Storyworld
3.3 Results
3.4 Discussion
4 Further Analyses of the Results
5 Conclusion and Future Applications
Acknowledgements
References
Narrative Improvisation: Simulating Game Master Choices
Abstract
1 Introduction
2 Background and Related Work
2.1 Attempts to Achieve Narrative Generation
2.2 Roleplaying Games
3 Game Master Agent
3.1 Phases
3.2 Interviews
3.3 Thematic Analysis
4 Findings
4.1 Reasons Why Story Changes Become Necessary
4.2 Decision Flow Charts
4.3 How Players Demonstrate Interest
5 Discussion and Implications
5.1 Results of the Study
5.2 Implications of the Study
5.3 Further Research
References
Communicating Assertiveness in Robotic Storytellers
1 Introduction
2 Related Work
3 Research Methods
3.1 The Narrative
3.2 Materials
3.3 Questionnaire
3.4 Procedure
4 Results
4.1 Demographic
4.2 Assertiveness of Name
4.3 Normality Test
4.4 Significant Difference
5 Discussion and Future Work
References
Automatic Plot Generation Framework for Scenario Creation
1 Introduction
2 Related Work
3 Proposal Technique
3.1 Creation of a Scenario Plot Database
3.2 Extraction of Story Information by Input from Loglines
3.3 Generation of Thirteen-Phase Structure Skeleton
3.4 Generation of Main Character
3.5 Elimination of Contradictions
3.6 Generation of Setting File
4 Evaluation Experiment
4.1 Evaluation Experiment Setting
4.2 Experimental Result
5 Conclusion and Future Works
References
Towards Generating Stylistic Dialogues for Narratives Using Data-Driven Approaches
1 Introduction
2 Related Work
3 Proposed Approach
3.1 Dialogue Generation Model
3.2 Example
4 Stylistic Dialogue Modelling
4.1 Genre Diversity
4.2 Characters
5 Neural Network Framework Design
6 Conclusion
References
Expressive Range Analysis of a Possible Worlds Driven Emergent Narrative System
1 Introduction
2 Possible Worlds Model
3 Analysis
4 Conclusion
References
Playing Story Creation Games with Logical Abduction
1 Introduction
2 Example: Heart Beating Like a Train
References
Apply Storytelling Techniques for Describing Time-Series Data
1 Introduction
2 Example Domain and Approach
3 Evaluation and Discussion
References
Would You Follow the Suggestions of a Storyteller Robot?
1 Introduction
2 Materials and Methods
3 Current Status and Future Directions
4 Conclusion
References
A Character Focused Iterative Simulation Approach to Computational Storytelling
1 Background
2 Results: A Character Centered Plot Model
3 Current Status: Character-Based Tellability
4 Next Steps: Iterative Simulation
5 Contribution
References
Development and Analysis of Authoring Systems
Contemporary Issues in Interactive Storytelling Authoring Systems
1 Introduction
2 State of the Art
3 Novella
4 Conclusion and Future Work
References
How Do Writing Tools Shape Interactive Stories?
Abstract
1 Introduction
2 Background
3 Methodology
4 Analysis
5 Conclusion
References
A Framework for Classifying and Describing Authoring Tools for Interactive Digital Narrative
Abstract
1 Introduction
2 Defining Authoring Tools
3 History and Past Work
4 Listing and Classifying Authoring Tools
4.1 Categories
4.2 Descriptors
5 Conclusion: Limitations and Future Work
References
StoryMINE: A System for Multiplayer Interactive Narrative Experiences
1 Introduction
2 Background
3 Multiplayer Model and StoryMINE System
4 Evaluation
4.1 Exemplar Narrative Scenarios
5 Discussion and Conclusions
References
Authoring for Interactive Storytelling
1 Topic, Goals, and Outcomes
2 Format and Schedule
3 Organisation and Participants
3.1 Organisers
3.2 Participants
4 Contribution
References
Creating Interactive Adaptive Real Time Story Worlds
Abstract
1 Introduction and Topic
2 Purpose and Goals of the Workshop
3 Format
4 Expected Outcome
5 Conclusion
Acknowledgements
References
Card-Based Methods in Interactive Narrative Prototyping
Abstract
1 Introduction
2 Paper Prototyping
2.1 Related Work
2.2 Interactive Narrative Prototyping
3 Workshop Format
4 Call for Participation
References
Novella: An Authoring Tool for Interactive Storytelling in Games
1 Overview and Research Questions
2 Narrative Model
3 Authoring Tool
4 Next Steps
References
Impacts in Culture and Society
Spatial Participation Gap: Towards a Conceptual Perspective on Locative Storytelling Creation
Abstract
1 Introduction
2 From Cyberspace to Hybrid Space and Splintered Space
3 Case Study 1: Austin, Texas
4 Case Study 2: Monmouthpedia, Wales
5 The Spatial Participation Gap in Locative Storytelling
References
Toward an Ethics of Interactive Storytelling at Dark Tourism Sites in Virtual Reality
Abstract
1 Introduction
1.1 Existing Scholarship on VR Experiences of Dark Sites
2 Dark Tourism
3 Dark Tourism Sites in VR
3.1 Dark Sites in VR
3.2 Darker Sites in VR
3.3 Darkest Sites in VR
3.4 Dystopian Sites in VR
3.5 The Absent Aura of Dark Sites in VR
4 Foundational Ethics for VR Experiences at Dark Sites
5 Conclusion
References
Interactive Digital Narratives (IDN) for Change
Abstract
1 Introduction
2 The Project: IDN with a Purpose
3 Approaches Towards Teaching IDN Design
4 Challenges and Approaches
4.1 Conceptual Challenge
4.2 Designerly Challenge
4.3 Technical Challenge
5 Discussion
6 Conclusion
Acknowledgements
References
Applying Interactive Storytelling in Cultural Heritage: Opportunities, Challenges and Lessons Learned
Abstract
1 Introduction
2 Background
3 The Need for an Effective Authoring Workflow
4 Authoring Challenges
4.1 Establishing a Common Vision
4.2 Understanding Interactive Storytelling
4.3 A Strong Need for Guidelines and Tools
4.4 Defining Personas
4.5 Stories Should be About People, not Exhibits
4.6 Staging the Experience
4.7 Designing for Meaningful Interaction
4.8 Screen vs. Space
5 Conclusions
References
From Co-Curation to Co-Creation: Users as Collective Authors of Archive-Based Cultural Heritage Narratives
1 Introduction
2 Technology
2.1 User Interface Design
2.2 User Experience Flow
2.3 Technical Implementation
2.4 Iterative Approach Based on Qualitative Feedback
3 Perspectives
3.1 End of Project
3.2 Vision
References
Interactive Digital Storytelling and Self-expression in the Context of Young Male Migrants
Abstract
1 Introduction
2 Related Work
3 Communics: A Digital Tool for Interactive Storytelling
3.1 Content Creation and Pilot Study
4 Lessons Learned
References
A Top-Down Narrative Design Approach for Networked Cultural Institutions
Abstract
1 Introduction
2 State of the Art
3 Narrative Design
3.1 Story Modules
3.2 Experience Modules
4 Conclusion and Future Outlook
References
Digital Storytelling and Phrasal Verbs in L2 Acquisition: Teaching Phraseology Through Technology
Abstract
1 Introduction
2 DST as an Innovative Approach in Phraseological Units Learning
3 Theoretical Framework
4 Challenges in MWEs and PVs Acquisition by L2 Learners
5 A Preliminary Study on Teaching PVs Through DST and Future Research
References
Designing Learning Experiences for Interactive Digital Narrative Literacy: A New Paradigm
Abstract
1 Workshop Description
1.1 Topic
1.2 Goals
1.3 Proposed Schedule and Format
1.4 Expected Outcomes
2 Draft of Call for Participation
References
Co-constructing Cultural Heritage Through a Web-Based Interactive Digital Narrative
1 Introduction
2 Expanding IDN Theory for Non-fiction
3 Proposed Methodology for Use Case Testing
References
Leveraging on Transmedia Entertainment Education to Augment Tourists' Awareness Towards Social Issues
Abstract
1 Motivation and Objectives
2 Building Blocks of the Theoretical Framework
2.1 Tourism and the Tourist Experience
2.2 Entertainment Education and Transmedia Storytelling
3 Research Questions
4 Case Study: Fragments of Laura a TEE Experience
4.1 Proposed Evaluation of TEEE Prototype
References
Folklore and Digital Media: Unpacking the Meaning of Place Through Digital Storytelling
Abstract
1 Introduction and Background
1.1 Wester Hailes
1.2 Digital Folklore and Digital Media
1.3 Critical Heritage
1.4 Gap in Knowledge
2 Digi-Mapping Pilot Study
2.1 Findings
3 Next Steps
References
Interactive Comic-Based Digital Storytelling for Self-expression
1 Introduction
2 Storytelling and Counterstories
3 Research Question
4 Result: The Migrants' Community
5 Future Plan: The Teenagers' Community
References
Creating a Virtual Support Group in an Interactive Narrative: A Companionship Game for Cancer Patients
1 Introduction
2 Research Questions
3 Methodology
4 Prototype Design Outline
5 Next Steps
References
Correction to: Toward an Ethics of Interactive Storytelling at Dark Tourism Sites in Virtual Reality
Correction to: Chapter "Toward an Ethics of Interactive Storytelling at Dark Tourism Sites in Virtual Reality" in: R. Rouse et al. (Eds.): Interactive Storytelling, LNCS 11318, https://doi.org/10.1007/978-3-030-04028-4_68
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