Creative Research in Music

PART 1: Informed Practice / 1. Life Informed Practice: Contemporary Considerations for Music Education (NEAL PERES DA COSTA) / 2. Life in Music (GENEVIEVE LACEY) / 3. Musical Past and Future Generations: A Message from Thailand (ANOTHAI NITIBHON) / 4. The Language of Nature: Adapting Sound to Sense in an Eighteenth-Century Cantata (ROBERT TOFT) / 5. Historically Informed Performance and Group-Learning Pedagogy in a Tertiary Music Ensemble (DANIEL YEADON) / 6. The Dowling Songbook Project: A Uniquely Australian Opportunity in HIP Learning (NEAL PERES DA COSTA, HELEN F. MITCHELL AND MATTHEW STEPHENS) / 7. A Homage to Pra Vishnukarma "Chang", the Forgotten Artist of Music Paradise, in Memory of Kru Wan Onchan (1920-1993), My First Music Teacher (ANANT NARKKONG) / 8. Falling Leaves and New Roots: Informed Practice Within the Sydney Conservatorium of Music's Chinese Music Ensemble (CATHERINE INGRAM, LULU LIU AND NICHOLAS NG) / 9. Informing Practice Through Collaboration: Listening to Colonising Histories and Aboriginal Music (SHANNON FOSTER AND AMANDA HARRIS) / PART 2: Innovation / 10. Innovation (JEANELL CARRIGAN AND JEAN-DAVID CAILLOUET) / 11. The Voices of South-East Asian Soundscapes: Migrating Through Musical Boundaries (JEAN-DAVID CAILLOUET) / 12. How to Make a Woodblock Sing: Artistic Research as an Art of Attentiveness (LIZA LIM) / 13. Towards a Philosophical Understanding of Interpretative Artistic Performance: Musical Thinking, Innovation and Pedagogy (GOETZ RICHTER) / 14. Reinventing Expressive Traditions into Contemporary Artistic Expressions: A Philippine Experience (RAMON P. SANTOS) / 15. Remarks on Music in Indonesia: Dilemmas and Misunderstandings but also Challenges and Chances in an Emerging Country with a Multi-Ethnic Society (DIETER MACK) / 16. Seeking Innovation as Exploration of Aesthetic (JAMES HENRY BYRNE HUMBERSTONE) / PART 3: Transcendence / 17. Transcendence (ANNA REID AND ANOTHAI NITIBHON) / 18. Transcendent Innocence: Red-Riding-Hood Redeemed? (JOSEPH TOLTZ) / 19. You Gotta Have Faith: Trauma and Transcendence Through the Creation of a New Electronic Music Theatre Work (PAUL MAC) / 20. A Case Study of Performance Research-Bangsokol: A Requiem for Cambodia (HIM SOPHY AND PETER PETOCZ) / 21. Road, Pendulum and Coil (SIMON BARKER) / 22. At the Crossroads: Moments of Transcendence in Field Music Research (LAVERNE DAVID DE LA PENA)