Language of Ruin and Consumption

Rezensionen / Stimmen

Juliane's equally groundbreaking and fascinating study on Lamenting and Complaining explores a form of language that is just as fundamental and counter-structural to society's functional forms of communication as the rhetorics of all-consuming love and passion. This is undoubtedly a landmark study of a highly disturbing and paradoxical type of discourse that seeks to communicate one thing above all: the failure of communication itself. * Torsten Hahn, Professor of German Philology, University of Cologne, Germany * Language of Ruin and Consumption is a nuanced and elegantly written book on a fundamental yet often overlooked feature of human language: wanting to be heard. As Prade-Weiss shows, this simple yet evocative fact of our language use has tended to languish on the margins of all the major theories of symbolization, communication, and expression: the structure that registers this want, the lament, cannot contain its own remedy, only dispatch a call with no addressee. Yet plaintive language also therefore outlines the chance to articulate that which is not annulled at the outset by an answer. Tracking the vocation of complaint from Aristotle to psychoanalysis, from classical tragedy through Rilke and Wittgenstein to Scholem, Benjamin and Kafka, this rich and suggestive book makes us rethink our most recent preoccupations with protest, public mourning, and reconciliation, and in the process uncovers grounds for registering our traumata for the future. * Julia Ng, Lecturer in Critical Theory and Co-Director of the Centre for Philosophy and Critical Thought, Goldsmiths, University of London, UK * In this encyclopedic book, 'Klagen,' lament/complaint, speaks for itself at last. Pursuing the phenomenon across a huge set of languages and disciplines, Prade-Weiss discovers the weakness of all expressive models. They assimilate lament to speech. It is not a special kind of speech, whether for a psychological state or an ethical injury or a social tragedy. Lament is rather a paradigmatic moment of non-expression. Nothing is expressed in it, and this nothing makes a historical indigestion audible. Whether it appears as silence, wailing, inarticulate grunts, or other repetitions antagonistic to meaning, lament/complaint happens at a limit of language and gestures toward a trauma without words to speak for it in the dominant language. * Paul North, Professor of Germanic Language and Literature, Yale University, USA *