Introduction

The guitar has become an iconic instrument since the beginning of the 20th century. It is often associated with the blues, rock, and pop. Who can forget those images of Jimi Hendrix making his electric guitar wail and other guitar greats such as Jimmy Page (Led Zeppelin), Brian May (Queen), and Eric Clapton? The list is a long one! Nevertheless, this instrument can likewise be found in many other types of music: classical, flamenco, Brazilian, country, metal, jazz, African, folk . . It is almost impossible to list them all, such is the worldwide popularity of the guitar.

Often regarded as a solo instrument, in the majority of cases, the guitar is used as an accompaniment, given its harmonic possibilities (because it allows you to play chords, unlike a saxophone or trumpet, for example, which can only play one note at a time). It is precisely this characteristic that I address in this book.

Foolish Assumptions

For a guitarist, learning to play chords is essential in order to be able to play the instrument, at any level. In creating this book, I assume that:

• You're a beginner, you have some scores or chord progressions of your favorite pieces, but you don't understand the chord symbols or don't know where to play them on your guitar.
• You're a non-beginner wanting to practice more complex sounds, but you're having difficulty locating the neck position of the notes that give chords such special colors.
• You're interested in getting to know the guitar and its harmonic possibilities better; discovering new sounds for composing, arranging, or adapting existing pieces; and, most of all, enjoying yourself.

About This Book

This book explores 30 types of chords in each key. The various chords are organized in a logical way, to enable you to find the information you're looking for easily.

In the case of most chords, a short explanation enables you to understand how to move from one chord to another (for example, how to move from D major to D minor, the change involving the notes, and the positioning of the fingers).

You can use this book in two different ways:

• As a dictionary: You can search for one or more chords in a specific key in order to play a piece (in which case, you can consult the index at the back of the book in order to identify the relevant chord). The photos and diagrams help you position your fingers on the neck in order to achieve the desired result.

• As a method: I tried to make this book a good teaching aid. I provide short explanations of the chords so you can understand how they're constructed.

  You can pick any given chord (say, D), begin with the simplest form of the chord (D major), and then progress steadily through the book, listening to and visualizing each change in order to arrive at the most "complex" sounds (such as D713). You can then understand how chords are constructed so that, ultimately, you'll be able to find and create the ones you need for yourself.

With this approach in mind, the rest of this section explains the step-by-step logic behind the construction of chords, as well as the arrangement of notes on the neck of the guitar.

Family names

Each chord family name denotes its root (for example, Do, expressed as C) and its quality (such as min7).

Alternative notations of the chord can be found to the right of this name, in brackets. For example, there are several different ways of writing a minor 7th chord: min7, m7 and -7 are three possibilities.

Under the family name, you find a line listing the notes of the chord according to their function (Root = Do (C); maj 3rd = E; and so on).

WHAT DOES THE ASTERISK MEAN?

You can sometimes find a little asterisk (*) after the name of the chord in the family name. It merely indicates that the chord in question is a basic one with which you should familiarize yourself to ensure that you start off on the right foot.

Diagrams

A chord diagram graphically conveys the section of the neck on which the chord is placed. In a diagram, each note fretted is represented by a dot within which the function of the note in the chord is specified (root, third, fifth, seventh, and so on).

The Xs and Os situated at the top of the neck show you if the string beside which the symbol appears should be played ("open") or not.

In a diagram, each dot indicates the note to be played as well as the function of that note in the chord:

R: Root

Dim7: Diminished seventh

3 -: Minor third

7 -: Minor seventh

M3: Major third

M7: Major seventh

4: Perfect fourth

9: Minor ninth

4?: Augmented fourth

9: Major ninth

5: Diminished fifth

9?: Augmented ninth

5: Perfect fifth

11: Perfect eleventh

5?: Augmented fifth

11?: Augmented eleventh

6 -: Minor sixth

13: Major thirteenth

M6: Major sixth

13: Minor thirteenth

Photos

The photos help you place your fingers so you can find the correct position easily. Here, for example, is the E major chord:

Icons Used in This Book

The icons indicate useful and important items of information throughout the book to make for easy reading.

The Remember icon shows you the important information to remember.

You may sometimes find certain chords difficult to play! The Tip icon highlights a trick for simplifying the fingering of chords so you'll always be able to play them.

A Little Theory .

Theory is often given a bad press and frightens a large number of amateur (and professional!) musicians. Nevertheless, it's very useful for understanding music, as well as your instrument. Never forget that theory serves music, not the other way round!

This section addresses some very simple principles concerning chord construction.

The skeleton

All the notes that give a chord its basic sound are referred to as the skeleton.

The skeleton of a basic chord generally consists of three notes:

• The root, which gives its name to the chord (for example, in the case of a C major chord, the root is C)
• The third, which gives the chord a major or minor tone
• The fifth

This skeleton may include a sixth or seventh, which would give the chord a slightly "richer" texture. (Remember: A richer or more complex chord tone doesn't necessarily mean a more beautiful tone/sound. It's all a question of taste and context!)

Any chord you may want to play is taken from a scale (that is, a series of, in general, seven notes, which have a particular combined sound, often called color).

Take a look at what to do in order to find a chord on the basis of a scale. For example, take the familiar scale of C major, which is easy to understand because it comprises the seven natural notes (without sharps or flats) of Western-style music.

From this you take the skeleton of a C chord:

C major scale: C D E F G A B C

Play the scale starting from the root of your chord (in this case, the note C for the C chord) and give each note a number:

1 = C; 2 = D; 3 = E; 4 = F; 5 = G; 6 = A; 7 = B

In order to find this C chord, you see that a root, a third, and a fifth are required. In this example, you can also try to find a seventh, in order to obtain a four-tone skeleton (four different notes).

By definition:

• The root is the first note of the chord and is expressed as 1.
• The third is expressed as 3.
• The fifth is expressed as 5.
• The seventh is expressed as 7.

You can then find:

• Root = 1 = C
• Third = 3 = E
• Fifth = 5 = G
• Seventh = 7 = B

The skeleton of the required C chord is thus made up of the notes C, E, G, and B.

Follow the same logic in order to find an F chord. Play and count in the same way, starting from the first note of your chord (in this case the note F for the F chord):

1 = F; 2 = G 3 = A; 4 = B, and so on

You should then find the following for the F chord:

F (Root), A (Third), C (Fifth), E (Seventh)

Embellishments

You can add certain notes to chords in order to add a specific sound, or to embellish them without, however, modifying their skeleton. Such notes are referred to as embellishments.

In Western music, there are seven different notes (C, D, E, F, G, A, B) each of which may be augmented...