Roger fry and Clive Bell Transform American Art Criticism in the 1920s
Art Criticism, vol 2, no. 2, 1986, 69-84. (originally titled "Formalism in the 1920s")
Sheldon Cheney: Crusader for Modernism
Archives of American Art Journal, vol. 25, no. 3, 1985, 11-17.
Mysticism in the Machine Age: Jane Heap and The Little Review
Twenty / One, University of Illinois, Chicago, vol. 1, no.1, 1990, 18-44.
Modernism, Formalism, and Politics: the "Cubism and Abstract Art" Exhibition of 1936 at the Museum of Modern Art
Art Journal, vol 47, no.4, 1988, 284-295.
Elizabeth McCausland: 1930s essays on Georgia O'keeffe, Kathe Kollwitz, Gertrude Stein, Martha Graham, and Berenice Abbott
Katy Deepwell, ed.,Women and Modernism, Manchester University Press, 1998, 83-96 (originally titled "Elizabeth McCausland: Art, Politics and Sexuality").
From Immigration to Community: the Jersey Homesteads Mural by Ben Shahn and Bernarda Bryson
Patricia M. Burnham and Lucretia Hoover Geise, eds., Redefining American History Painting, Cambridge University Press, 1995, 294-309 (originally titled "The Jersey Homesteads Mural: Ben Shahn, Bernarda Bryson, and History Painting in the 1930s").
Gambling, Fencing and Camouflage, Homer Saint-Gaudens and the Carnegie International, 1922- 1950
International Encounters: The Carnegie International and Contemporary Art 1896 - 1996, Carnegie Museum, 1996, 66-91.
Franz Kafka, Hans Hofmann and T.S. Eliot: the Formation of Clement Greenberg in the 1930s
Art Criticism, vol. 5, no. 3, 1989, 47-64 (originally titled "Clement Greenberg in the 1930s: A New Perspective on his Criticism").
Original publication formatting retained. All articles published by permission.
