Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860

Introduction (FRANCO PIPERNO, SIMONE CAPUTO, AND EMANUELE SENICI) / PART I: Soundscape, Phonosphere, and Urban History / Chapter 1. Historical Urban Phonosphere: Objects, Concepts, History (ANTONIO ROSTAGNO) / Chapter 2. Some Thoughts on (Early Modern) Sound, Space, and Time (TIM CARTER) / Chapter 3. Urban Soundscapes in Early Modern Italian and Spanish Cities: Confraternities as Acoustic Communities (TESS KNIGHTON) / PART II: Urban Soundscapes across Time / Chapter 4. Early Modern Venice: Soundscapes and Identities (IAIN FENLON) / Chapter 5. Noise and Music Together: Soundscapes of Seventeenth- and Eighteenth-Century Rome (SIMONE CAPUTO) / Chapter 6. Interconnections between Urban and Rural Phonospheres in Savoyard Sardinia (MARCO LUTZU AND ROBERTO MILLEDDU) / PART III: Urban Soundscapes and Acoustic Communities / Chapter 7. The Oar, the Trumpet, the Drum: Music and Galley Servitude in Spanish Naples (NATHAN K. REEVES) / Chapter 8. Piarist Resonances during the Jubilees in Rome, 1625-1700 (ALDO ROMA) / Chapter 9. Children Voices in the Phonosphere: Valencia, 1714-1812 (ANDREA BOMBI) / PART IV: Urban Soundscapes in Literary Sources / Chapter 10. Notes from a City of Sound: Spiritual and Secular Tourism in Venice and the Production of Its Urban Image in the Sixteenth and Seventeenth Centuries (ANDREA CHEGAI) / Chapter 11. Naples, City of Sounds: Representing the Phonosphere of a Romantic Capital (MASSIMO PRIVITERA) / Chapter 12. From the Theatre to the Crowd: The Soundscape of Milan in Giuseppe Rovani's Cento anni (1856-1869) (GRAZIELLA SEMINARA) / CODA: Reconstructing Urban Soundscapes in the Digital Era / Chapter 13. The Este Soundscape Project: A Methodological Proposal
(ANGELA FIORE AND SARA BELOTTI)