Animating the Unconscious

Notes on Contributors
Introduction, by Jayne Pilling
Women: From Outside In and Inside Out
The Body and the Unconscious as Creative Elements in the Work of Michèle Cournoyer, by Julie Roy
Michèle Cournoyer: Comments on Making The Hat
Michaela Pavlátová: Frustrated Coupling, by Olivier Cotte
On Vera Neubauer, by Leslie Felperin
Vera Neubauer's Wheel of Life: Interview
Truth Under Oppression: The Films of Ruth Lingford, by Simon Pummell
Ruth Lingford: The Pleasures of War: Interview
Interrogating Masculinity
Revealing Men: The Y Factor, by Ruth Lingford
Extracts from Simon Pummell's Notebooks
On Simon Pummell's The Secret Joy of Falling Angels
On Andreas Hykade's We Lived in Grass and Ring of Fire
On Igor Kovalyov's Bird in the Window and Milch, by Michael O'Pray
On Craig Welch's How Wings are Attached to the Backs of Angels
The Embodied Voice: In Confessional Mode, by Jayne Pilling
Whose Body Is It?, by Alys Hawkins
Sound and Emotional Narrative: Annabelle Pangborn on Scoring The Secret Joy of Falling Angels
A Composer at Work: Notebooks on The Secret Joy of Falling Angels
Ian Gouldstone on guy101
Script development on guy101
Final script: guy101
Modes of Reality
Mixing Memory and Desire: Animation, Documentary and the Sexual Event, by Karen Beckman
The Stain: Interviews with Marjut Rimminen and Christine Roche
The Stain: Christine Roche's Sketchbooks
The Animated Body and its Material Nature, by Ruth Hayes
Index