Brazilian Popular Music and Globalization

List of Illustrations Preface 1. Chiclete con Banana: Internationalization in Brazilian Popular Music, Charles A. Perrone and Christopher Dunn 2. Carmen Mirandadada, Caetano Veloso 3. Myth, Melopeia, and Mimesis: Black Orpheus, Orfeu, and Internationalization in Brazilian Popular Music, Charles A. Perrone 4. Tropicalia, Counterculture, and the Diasporic Imagination in Brazil, Christopher Dunn 5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism, Liv Socik 6. Cannibals, Mutants, and Hipsters: The Tropicalist Revival, John J. Harvey 7. Defeated Rallies, Mournful Anthems, and the Origins of Brazilian Heavy Metal, Idleber Avelar 8. The Localization of Global Funk in Bahia and in Rio, Livio Sansone 9. World of Fantasy, Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia, Milton Araujo Moura 10. Songs of Olodum: Ethnicity, Activism, and Art in Globalized Carnival Community, Piers Armstrong 11. Fogo na Babilonia: Reggae, Black Counterculture, and Globalization in Brazil, Osmundo de Araujo Pinho 12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging, Antonio J. V. dos Santos Godi 13. Black or Brau: Music and Subjectivity in a Global Context, Ari Lima 14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science, Larry Crook 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrosio, John Murphy 16. Good Blood in the Veins of This Brazilian Rio, or a Cannibalist Transnationalism, Fredrick Moehn Contributors Copyrights and Acknowledgements Index