Film Production Management 101-2nd edition

Name: Film Production Management 101-2nd edition | Management & Coordination in a Digital Age
Brand: Michael Wiese Productions
Price: 38.99 EUR
Availability: OnlineOnly

Management & Coordination in a Digital Age

Deborah Patz(Autor*in)

Michael Wiese Productions (Verlag)

2. Auflage

Erschienen am 6. April 2011

558 Seiten

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978-1-61593-074-6 (ISBN)

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Beschreibung

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Inhalt

Cover
Title Page
Copyright Page
Table of Contents
Introduction To The Second Edition
Introduction
Part I: Project Development
Chapter 1 - Getting Hired
You As the Production Manager
You As the Production Coordinator
About the Production Manager & the Production Coordinator
Chapter 2 - Before Official Prep
From Development to Preproduction
Chapter 3 - Budgeting & Breakdowns
Overall Budgeting Issues
The First Read or Preparing for the First Pass
More Specific Budgeting Issues
Series & Co-Production Budgets
A Few More Overall Budgeting Issues
Chapter 4 - Your Kit & Online Resources
Your Reference Sources
Your Start-Up Supplies
Your Computer & Office Equipment
Identify & Insure Your Kit
Part II: Preproduction
Chapter 5 - Setting Up The Production Office
The Coordinator Sets Up the Physical Production Office
The Manager Sets Up the Financial Backbone to the Office
When Information Is Confidential
Maximizing Email Confidentiality
Chapter 6 - Hiring Crew
Who Hires Whom
Regarding Resumes, Cover Letters & the Internet
Regarding Crew Interviews
Regarding the Office Staff & Craft Service
Union & Non-Union Crews
Mentorships & Internships
Firing Staff
Chapter 7 - Crew Departments
Office People
Cast & Casting People
Set People - Assistant Directors
Other Set People
Design, Building & Decorating People
Technical People
Hair, Makeup & Wardrobe People
Special Departments People
Postproduction People
Publicity People
Chapter 8 - Work Space Organization
Electronic vs. Paper Work Spaces
The PM's Work Space
The PC's Work Space
Creating a Document Trail
Chapter 9 - Telephone Etiquette
Choosing a Telephone System
Reception: The Job
Chapter 10 - Setting Up A Filing System
Filing Electronically & Physically
The Production Coordinator's Files
The Production Manager's Files
Chapter 11 - Forms, Memos, Logs, Checklists
Forms & Memos-To-All to Create
The Distribution Table & Other Places for Documentation
Chapter 12 - Countdown To Production
Three Weeks or More before Production
Two Weeks before Production
One Week before Production
Part III: Production
Chapter 13 - The Shoot Day & Call Sheets
Shoot Day Format
Early Morning
Morning
Morning and/or Afternoon
Lunchtime
Afternoon (Including Call Sheets & Location Maps)
Late Afternoon
At Wrap
Chapter 14 - Daily Production Reports
What Is a Daily Production Report?
Who Generates the DPR?
Who Else Reads the DPR?
How to Read a DPR
Publishing the DPR
The Second Unit DPR
Chapter 15 - Countdown Through Production
First Day of Principal Photography
First Week of Principal Photography
During Production
Toward the End of Principal Photography
Part IV: More Management & Money Issues
Chapter 16 - Location Management
Location Scout vs. Location Manager
Where to Find Locations
What to Look for in a Location
Crew Meetings about Locations
Location Surveys
Preparing for the Shoot
Location Management during the Shoot
Burned Locations
Chapter 17 - Production Insurance
Buying Production Insurance
Comprehensive General Liability & Worker's Compensation
The Entertainment Package
E & O Insurance (Producer's Errors & Omissions Insurance)
Corporate Policies
Additional Insureds
Insuring Micro-Low-Budget Shoots
Insurance Claims
Chapter 18 - Completion Bonds
When You Need (or Might Not Need) a Bond
Who Deals with or Reads a Bond
How Much Paper Makes Up a Bond?
What Is the Strike Price?
Rebate Bonds vs. Regular Bonds
What Happens When the Bond Is Called In
The PM's Relationship with the Bond
Alternatives to a Bond
Chapter 19 - Petty Cash & Purchase Orders
Petty Cash
Checks
Direct Checks
Purchase Orders (P.O.s)
Check Requisitions
A Word about Credit Cards
Chapter 20 - Cash Flows
Creating a Cash Flow
Co-Production Cash Flows
Amortization & Pattern Budget Cash Flows
Micro-Budget Cash Flows
Chapter 21 - Interim Financing
Who Are Interim Lenders?
How Lenders Finance Your Production
How an Interim Loan Works or How Much Can I Borrow?
What Paperwork Makes Up an Interim Loan
Interparty Agreement
Add the Lender to the Bond & Insurance
Minimizing the Interim Loan Amount
Chapter 22 - Official & Pm-Only Cost Reports
The Official Cost Report
Preparing the Cost Report
Co-Production Cost Reports
Series (Amort & Pattern) Cost Reports
The PM-Only Cost Report
Managing Cash Flow through Production
Dealing with Overages & Savings
About Specific Cost Reports
Part V: More Contracting Issues
Chapter 23 - Deal Memos & Long Forms
Crew Deal Memos
The Start Pack
Corporations vs. Employees
Long Form Agreements
Handling Signed Crew Deal Memos
Chapter 24 - Cast Contracts & Immigration
Auditions
Cast Contracts
Immigration & Traveling Stars
ADR Sessions & Contracts
Chapter 25 - Supplier Agreements
Supplier Letters of Agreement
Chapter 26 - The Special Departments
Previs - 3D or 2D Previsualization
Finding the Supplier for Special Shots
SPFX - Special Effects
Postvis
CGI - Computer Animated Effects
Motion Control
Blue Screen or Green Screen
Working with Animals
Stunts
Working with Children
Other Special Departments
Part VI: More Production & Coordination Issues
Chapter 27 - Script Format & Revisions
The Production Manager & Script Revisions
The Production Coordinator & Script Revisions
Formatting the Early Drafts
Title Pages
Feature Film Script Format
Comedy Script Format
Script Revisions
Chapter 28 - Production Scheduling
Preproduction Schedule
Production Schedule
Production Board (Strip Board or the Board)
Reading the Schedule
A.D. Breakdown Pages
One-Line Schedule
Shooting Schedule
Second Unit
Scheduling for Low-Budget Productions
Specialty Breakdown Memos
Chapter 29 - Credits
Screen Credit Design
The Preview Drafts
The Early Drafts
The Final Drafts
Chapter 30 - Documentation Distribution
Reducing Paper Usage
Tracking System
Starter Distribution Lists
The Joy of Documentation Distribution Lists
The Production Report & All Its Backup Documentation
Part VII: Ongoing special issues
Chapter 31 - Publicity & The Audience
Unit Publicity vs. Marketing
Unit Publicity's Schedule & Main Unit's Schedule
Typical Unit Publicity Elements
When Confidentiality is the Publicity Plan
Chapter 32 - Couriers & Customs
Couriers (Local & International)
The Customs Broker
Digital Viewing Copies Crossing Borders
Wardrobe Crossing Borders
Film Equipment Crossing Borders & Carnets
Digital vs. Film Stock Crossing Borders
Other Items Crossing Borders
Hand Carrying Items across Borders
Chapter 33 - Script, Music & Other Legal Clearances
The Script Clearance Report
E & O Insurance
How Script Clearance Reports Work
Using Actual Names
Copyright, Trademark & Public Domain
Creative Commons Licenses
Music Clearances
Photographic Clearances
Other Clearances
Moral Rights
Title Searches
Product Placement
Part VIII: Postproduction
Chapter 34 - Wrap & Wrap Party
The Production Manager Wraps
The Production Coordinator Wraps
The Wrap Party
Chapter 35 - Postproduction
The Uniqueness of Postproduction
The Stages of Postproduction
The Postproduction Work Flow
Vaults & Storage
Delivery
Air Dates & Release Dates & Festivals
Chapter 36 - Audit
Must You Always Audit?
The Various Reviews of an Audit
The Documentation Needed for an Audit
Other Documentation That May Be Needed
Closing Notes
Part IX: Appendix
Glossary
Sample Forms
Development to Production Budget Sample #1
Development to Production Budget Sample #2
Blank Budget Top Sheet #1
Blank Budget Top Sheet #2
Blank Budget Top Sheet #3
Budget Breakdown Sample #1 "The Lists"
Budget Breakdown Sample #2 "The Spreadsheet"
Detail Page of a Budget
Checklist of Questions/Notes for Budget Creation (2 pages)
Time Sheet
Accident Report Form
Walkie-Talkie Sign-Out Form
Cell Phone Sign-Out Form
Keys & Security Cards Sign-Out Form
Equipment Rental Log
Courier Log
Long Distance Log
Copier Paper Count
Development Cost Report
Crew List (2 pages)
Cast List
Contact List (2 pages)
Call Sheet Sample #1
Call Sheet Sample #2 (2 pages)
Production Report Form #1 (blank)
Production Report Form #2 (blank) (2 pages)
Location Release Form
Location Letter
Petty Cash Report
Purchase Order (P.O.) Sample
Purchase Order (P.O.) (Blank)
P.O. Log
Check Requisition
Cash Flow Sample (Detail)
Cash Flow Sample (Summary Page)
Cost Report Sample (Top Sheet)
PM-Only Cost Report #1 (Spreadsheet from Accounting)
PM-Only Cost Report #2 (Spreadsheet Made by PM)
PM-Only Cost Report #3 (Budget Form)
PM-Only Cost Report #4 (Pencil Copy)
Deal Memorandum (Especially for Non-Union Crew)
Extras Release Form
Performer's Change of Date Form
Letter of Agreement (Catering)
Feature Film Title Page
TV Series Title Page
Drama Script Pages (2 pages)
Comedy Script Page
Sample Strip Board
A.D. Breakdown Page
A.D. Breakdown Page (blank)
One-Line Schedule
Shooting Schedule
Credits Style #1 (4 pages)
Credits Style #2 (3 pages)
Document Distribution Binder - Tracking Form
Document Distribution Binder - Tracking Form (Blank)
Wall Envelope Distribution - Tracking Form
Wall Envelope Distribution - Tracking Form (Blank)
Wrap Party Checklist & Budget Form (2 pages)
Index
About Deborah Patz

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