Introduction
PART I RECORDING TECHNIQUES
1. How Microphones Work
2. Common Microphones
3. Basic Recording Equipment
4. DAW Recording
5. Microphone Placement Fundamentals
6. Basic Stereo Techniques
7. Preparing The Drum Kit For Recording
8. Recording Drums
9. Miking Individual Instruments
Accordion
Audience
Bagpipes
Banjo
Bass (Acoustic String Or Upright)
Bass (Electric)
Bassoon
Bongos
Bouzouki
Brass
Choir
Clarinet
Claves
Claps
Conga
Cowbell
Crowd
Didgeridoo
Djembe
Dobro (Resonator Guitar)
Dulcimer
Ensemble (Vocal, Saxophone, or Other)
Fiddle
Flute
French Horn
Guitar (Acoustic)
Guitar (Electric)
Guitar (Nylon Or Gut String)
Glockenspiel (also known as Glock or Orchestral Bells)
Gong
Hand Claps
Harmonica (Blues Harp)
Harp
Indian Instruments
Koto
Leslie Speaker
Mandolin
Mouth Harp (Also Called Jaw Harp)
Oboe
Penny Whistle (Tin Whistle)
Piano (Grand)
Piano (Upright)
Piccolo
Recorder
Saxophone
Shaker
Steel Drums
String Section
Synthesizer
Tambourine
Timbale
Timpani
Triangle
Trombone
Trumpet
Tuba
Ukulele
Vibes
Vocals (Background)
Vocals (Solo)
Voice-Overs
Whistling
10. Recording Basic Tracks
11. Recording Overdubs
12. Immersive Recording Techniques
Channel-Based Surround Recording
Binaural Recording
Ambisonic Recording
PART II THE INTERVIEWS
13. Chuck Ainlay
14. Michael Bishop
15. J.J. Blair
16. Bruce Botnick
17. Wyn Davis
18. Eddie Kramer
19. Mack
20. Sylvia Massy
21. Dennis Moody
22. Barry Rudolph
23. Al Schmitt
Glossary