The Cultural and Artistic Legacy of Oliver Mtukudzi

Chapter 1: Culture, Language, Human Rights and Politics in Oliver Mtukudzi's Music.- Part I: "Fearfully and Wonderfully Made": Mtukudzi and African Cultural Pride.- Chapter 2: " Dada Nerudzi Rwako ": Championing African Identities in Oliver Mtukudzi's Music.- Chapter 3: Tuku Music as a Site of Cultural Embodiment.- Chapter 4: Exploring the Nhaka Concept in Oliver Mtukudzi's Music.- Part II: "Language as Identity": Mtukudzi and the Language Question in Africa.- Chapter 5: A Stylistic Analysis of 'Neria,' a Song by Oliver Mtukudzi.- Chapter 6: A Semantic Analysis of Metaphors Found in Selected Lyrics of Oliver Mtukudzi's Songs.- Chapter 7: An Exploration of Metaphoric Images in Oliver Mtukudzi's Songs on HIV/AIDS.- Chapter 8: A Stylistic Study of Figurative Language in Oliver Mtukudzi's Selected Songs.- Chapter 9: The 'I' in Oliver Mtukudzi's Music: Autobiographical Memory and the Fragmented Self in Selected Songs.- Chapter 10: " Pakare Paye ": Music as Media for Communicating Values in the Family Governance System-The Case of Oliver Mtukudzi's Songs.- Part III: Mtukudzi as a Human Rights Defender and "Theologian".- Chapter 11: Championing Marital Harmony Through Music: An Examination of Four Selected Songs by Oliver Mtukudzi.- Chapter 12: Music and Human Rights in Zimbabwe: An Analysis of Oliver Mtukudzi's Messages.- Chapter 13: Oliver Mtukudzi's Theology: A Literary Analysis of Selected Gospel Songs.- Part IV: "Walking the Tightrope": Playing Politics with Politics in a Challenging Environment.- Chapter 14: The Corpse as Political Capital: Oliver Mtukudzi's Funeral and Political Contestation in Post-colonial Zimbabwe.- Chapter 15: Music and Politics in Mashava: An Analysis of Selected Songs by the Late Oliver Mtukudzi.- Chapter 16: Stance Accounts of Political and Religious Identities in 'Tuku' MusicTuku' Music .