Don't Look Now

Introduction: Don't Look Now? British cinema in the 1970s - Paul Newland



Keynote Address, Don't Look Now? Conference, University of Exeter, July 2007 - Sue Harper



Stanley Baker and British Lion: a Cautionary Tale - Robert Shail



Staccato and wrenchingly modern: reflections on the 1970s stardom of Glenda Jackson - Melanie Williams



Alternative Film Exhibition in the English Regions during the 1970s - Vincent Porter



Multiple Voices: The Silent Cry and artists' moving image in the 1970s - William Fowler



On the Margins: Anthony Simmons, The Optimists of Nine Elms and Black Joy - Josie Dolan and Andrew Spicer



We know where we're going, we know where we're from: Babylon - Paul Newland



The Power to Create Catastrophe: The idea of apocalypse in 1970s British cinema - Peter Hutchings



'The "lack" and how to get it': reading male anxiety in A Clockwork Orange, Tommy and The Man Who Fell to Earth - Justin Smith



Hideous Sexy: The Eroticised Body and Deformity in 1970s British Horror Films - Peri Bradley



Masculinity and deviance in British cinema of the 1970s: Sex, Drugs and Rock 'n' Roll in The Wicker Man, Tommy and The Rocky Horror Picture Show - E. Anna Claydon



The last studio system: a case for British television films - Dave Rolinson



'Pre-Sold to Millions': The Sitcom Films of the 1970s - Adrian Garvey



Class, Nostalgia and Newcastle: Contested Space in The Likely Lads - Paul Williams



Hovis, Ovaltine, Mackeson's and the Days of Hope debate - Amy Sargeant



'What is there to smile at?' Lindsay Anderson's O Lucky Man! - John Izod, Karl Magee, Kathryn Mackenzie and Isabelle Gourdin



Dead End and Private Roads: The 1970s films of Barney Platts-Mills

Landscape in The Ruling Class - Mark Broughton



Beneath the Surface: Nicolas Roeg's Don't Look Now - Andrew Patch