Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach

Name: Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach
Brand: Princeton University Press
Price: 113.99 EUR
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Frederick Neumann(Autor*in)

Princeton University Press

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Erschienen am 5. Mai 2020

648 Seiten

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Inhalt

Cover page
Half-title page
Title page
Copyright page
Dedication
Preface
Acknowledgments
Contents
List of Abbreviations
Part I: Introduction
1. Ornament and Structure
2. The Categories of Musical Ornaments
3. Historical Performance and the Problem of Method
Part II: Baroque Trends of Ornamentation
Introduction
4. Italian Developments
5. French Developments
6. German Developments
7. J. S. Bach's Usage
Part III: One-Note Graces
Introduction: Vorschlag, Nachschlag, Zwischenschlag, Zusammenschlag
8. The French Port de voix and Coule: Definition and Character
9. Port de voix and Coule for Voice and Melody Instruments, 1636-1715
10. Port de voix and Coule on the Lute and the Keyboard, 1615-1715
11. Couperin's Ports de voix and Coules
12. Port de voix and Coule, 1715-1775
13. Accent and Chute
14. Italian One-Note Graces, 1590-1710
15. German One-Note Graces, 1620-1715
16. J. S. Bach's One-Note Graces
17. Italian One-Note Graces, 1710-1760
18. German One-Note Graces, 1715-1765
Part IV: The Slide
Introduction: Two-Note Graces and the Nature of the Slide
19. The French Slide, 1689-1776
20. The Italo-German Slide, 1600-1715
21. J. S. Bach's Slide
22. The Italian Slide, 1710-1760
23. The German Slide, 1715-1780
Part V: The Trill
Introduction: Designs and Terms
24. The French Trill, 1630-1715
25. Couperin's Trill
26. The French Trill, 1715-1785
27. The Italian Trill, 1590-1710
28. The German Trill, 1615-1715
29. J. S. Bach's Trill
30. The Italian Trill, 1710-1760
31. The German Trill, 1715-1780
Part VI: The Compound Trill
Introduction: Turn-Trill, Slide-Trill, Mordent-Trill
32. The French Compound Trill, 1685-1760
33. J. S. Bach s Compound Trill
34. The Italian and German Compound Trill, 1715-1780
Part VII: The Mordent
Introduction: Types and Designs
35. The French Mordent, 1630-1715
36. The Mordent of Couperin and Later Masters, 1710-1780
37. The Italo-German Mordent, 1600-1715
38. J. S. Bach's Mordent
39. The Italian Mordent, 1710-1760
40. The German Mordent, 1715-1765
Part VIII: Other Small Ornaments
41. The Turn
42. The Zusammenschlag (Acciaccatura)
43. The Anschlag
44. The Arpeggio
45. The Vibrato
Part IX: Free Ornamentation
Introduction
46. Free Ornamentation of the French School
47. Free Ornamentation of the Italo-German School in the 17th Century
48. J. S. Bach's Free Ornamentation
49. Free Ornamentation of the Italo-German School, 1700-1775
Postscript: Historical Research and Modern Performance
Appendix: Selective Glossary of Terms and Symbols
Selected Bibliography
Index

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