The Moving Form of Film

Table of Contents List of Illustrations Contributors Acknowledgements Introduction - Stefan Solomon and Lúcia Nagib Part I - Methodologies 1. Hegel, Cinema and the Other Arts Alain Badiou 2. One-Dimensional Man? A Reply to Alain Badiou James Hellings 3. Hybrid Variations on an Intermedial Theme Robert Stam 4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark Mark Player Part II - Technologies and Environments 5. Intermediality and the Carousel Slide Projector Julian Ross 6. Up the Junction, Intermediality and Social Change Sarah Street 7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-Cinema Ismail Xavier 8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca 9. Elemental Intermedia Stefan Solomon Part III - National and Regional Phenomena 10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil Luciana Corrêa de Araújo 11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí Albert Elduque 12. Impurity and Identification: Historicising Chinese Cinema through the Opera Cecília Mello 13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 Lúcia Nagib Part IV - Intermedial Artists 14. Stephen Dwoskin, an Intermedial Artist Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue 15. Intermedial Voices: Intersections in feminist sound and moving image Claire M. Holdsworth 16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son Jonathan Bignell 17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy Fátima Chinita Index