Critical Cinema

Acknowledgements
Notes on Contributors
Foreword, by Bill Nichols
Introduction, by Clive Myer
Part 1: Reframing
1. Theoretical Practice: Diegesis Is Not a Code of Cinema, by Clive Myer
2. Cinema, Theory, Women, by Noel Burch
3. Theory and Practice, by Peter Wollen
4. Passing Time: Reflections on the Old and the New, by Laura Mulvey
5. Sublime Acts: The Fate of Resistance Between Film Theory and Practice, by Patrick Fuery
6. Rancière and the Persistence of Film Theory, by Nico Baumbach
7. Behind the Mask of the Screenplay: The Screen Idea, by Ian W. Macdonald
8. The Theory-Practice Interface in Film Education: Observational Documentary in India, by Aparna Sharma
9. The Student Author, Lacanian Discourse Theory, and La nuit américaine, by Coral Houtman
10. Just Because You Have Eyes Does Not Mean You Can See, by Peter Greenaway
11. Theory for Practice: Ceci n'est pas l'épistémologie, by Brian Winston
Part 2: Conversations
12. Film and Philosophy: An Interview with Mike Figgis, by Clive Myer
13. Playing with New Toys: An Interview with Peter Greenaway, by Clive Myer
14. An Interview with Noel Burch: Playing with Toys by the Wayside, by Clive Myer
Index