Schweitzer Fachinformationen
Wenn es um professionelles Wissen geht, ist Schweitzer Fachinformationen wegweisend. Kunden aus Recht und Beratung sowie Unternehmen, öffentliche Verwaltungen und Bibliotheken erhalten komplette Lösungen zum Beschaffen, Verwalten und Nutzen von digitalen und gedruckten Medien.
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.
Mary Sue Morrow is Professor of Musicology at the College-Conservatory of Music, University of Cincinnati, and author of Concert Life in Haydn's Vienna and German Music Criticism in the Late Eighteenth Century.
Bathia Churgin is former chair and founder of the Musicology Department at Bar-Ilan University. She has edited numerous editions of 18th-century instrumental music that include historical and analytical essays.
AcknowledgmentsList of AbbreviationsI. Overview1. Reclaiming the Eighteenth-Century Symphony Mary Sue Morrow2. Historiography of the Eighteenth-Century Symphony Mary Sue Morrow3. Eighteenth Century Viewpoints Mary Sue Morrow4. Patrons and Practices Mary Sue MorrowII. Italy5. The Symphony in Italy Bathia Churgin6. The Italian Opera Sinfonia Marita Petzoldt McClymonds7. Antonio Brioschi Sarah Mandel-Yehuda8. Giovanni Battista Sammartini Bathia Churgin9. Luigi Boccherini Timothy Noonan10. Gaetano Brunetti René RamosIII. North Germany11. The Symphony in North Germany Joanna Cobb Biermann12. Johann Gottlob Harrer H. Todd Rober13. Johan Agrell Jeannette Morgenroth14. Johann Samuel Endler Joanna Cobb Biermann15 .Carl Philipp Emanuel Bach Mary Sue MorrowIV. South Germany16. The Symphony in South Germany Sterling E. Murray17. Joseph and Placidus von Camerloher Suzanne Forsberg18. Johann Stamitz Jean K. Wolf19. Carl Cannabich Jean K. Wolf20. Antonio Rosetti Sterling E. MurrayV. Austrian Monarchy21. The Symphony in the Austrian Monarchy Mary Sue Morrow22. Georg Christoph Wagenseil Allan Badley23. Carl Ditters von Dittersdorf Richard Will24. Johann Michael Haydn Michael Ruhling25. Karl von Ordonez Peter Alexander26. Johann Baptist Wanhal Paul Robey Bryan27. Ignaz Joseph Pleyel Allan BadleyVI. France28. The Symphony in France Robert O. Gjerdingen29. Louis-Gabriel Guillemain Judith L. Schwartz30. François-Joseph Gossec Judith L. SchwartzVII. Britain31. The Symphony in Britain Simon McVeigh32. Johann Christian Bach Adena PortowitzVIII. The Periphery33. The Symphony on the Periphery Bertil van Boer34. Johan Helmich Roman Bertil van Boer35. Joseph Martin Kraus Bertil van BoerIX. Reflections36. Sketch for a History of the Eighteenth-Century Symphonic Repertoire Mary Sue MorrowBibliography of Works CitedIndex
Dateiformat: ePUBKopierschutz: ohne DRM (Digital Rights Management)
Systemvoraussetzungen:
Das Dateiformat ePUB ist sehr gut für Romane und Sachbücher geeignet – also für „glatten” Text ohne komplexes Layout. Bei E-Readern oder Smartphones passt sich der Zeilen- und Seitenumbruch automatisch den kleinen Displays an. Ein Kopierschutz bzw. Digital Rights Management wird bei diesem E-Book nicht eingesetzt.
Weitere Informationen finden Sie in unserer E-Book Hilfe.