The Cinema of Steven Spielberg

Acknowledgements
Introduction: the Critical Context
1. Close Encounters of the Third Kind: tripping the light fantastic
2. Duel: the descent of Mann
3. The Sugarland Express: a light comedy?
4. Jaws: searching the depths
5. 1941: war on Hollywood
6. Raiders of the Lost Ark: lights, camera, action
7. E.T. The Extra-Terrestrial: turn on your love light
8. Twilight Zone: The Movie: magic lantern man overshadowed
9. Indiana Jones and the Temple of Doom: anything goes
10. The Color Purple: sisters and brothers
11. Empire of the Sun: shanghai showmanship
12. Indiana Jones and the Last Crusade: cut to the chase
13. Always: light my fire
14. Hook: an awfully big Pan(a)vision adventure
15. Jurassic Park: another monster hit
16. Schindler's List: darkness visible
17. The Lost World: Jurassic Park: more digital manipulation
18. Amistad: black and white in colour
19. Saving Private Ryan: Hollywood on war
20. A.I. Artificial Intelligence: eyes wide open
21. Minority Report: through a glass, darkly
22. Catch Me If You Can: captured on celluloid
23. The Terminal: all that jazz
24. War of the Worlds: rays in the mirror
25. Munich: bitter fruit on the olive branch
26. Audiences, subjectivity and pleasure
Bibliography
Index