Zen and the Art of Recording

Name: Zen and the Art of Recording
Brand: Bloomsbury eBooks US
Price: 25.99 EUR
Availability: OnlineOnly

Mixerman(Autor*in)

Bloomsbury eBooks US (Verlag)

Erschienen am 1. Oktober 2014

320 Seiten

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978-1-4950-0452-0 (ISBN)

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Inhalt

Intro
Acknowledgments
Contents
Introduction
Perception
Source, Source, Source
Source Player
Source Room
Source Instrument
Two Schools of Thought
The Overdub Method
Distortion
Capturing Performances
Chapter One: The Recordist
Recordist Roles
The Designated Recordist
Capture Appropriate Tones
Document
Listen
Deliver
Delivery Instructions for Mix
Naming Conventions
The Designated Recordist Rules of Conduct
The Musician Recordist
The Producer Recordist
Chapter Two: The Recordist's Tools
Digital Technology
Evaluating and Choosing Your Tools
The Microphone
The Capsule
Pick-Up Patterns
Cardioid
Super-Cardioid and Hyper-Cardioid
Omnidirectional
Figure-8
Powered Microphones
Tube Microphones
Pads and Rolloffs
Microphone Types
Condenser Microphones
Small Diaphragm Condenser (SDC)
Large Diaphragm Condenser (LDC)
Ribbon
Dynamic
Piezoelectric
Speaker Mic
Stereo Mic
Direct Box
Microphone Selection
Phase and Coherency
Investing in Microphones
The Microphone Preamplifier (Mic Pre)
The Recording Console
Monitoring
Monitors
Monitor Varieties
Choosing Your Monitors
Converters
The DAW
Processing Gear
Compressors and Limiters
Stereo Compressors
Limiters
VCA Compressor (Voltage Controlled Amplifier)
FET Compressor (Field Effect Transistor)
Valve or Tube Compressor
Opto Compressor (Optical)
Threshold
Attack and Release Times
Ratio
Sidechain
Parallel Compression
Equalization or EQ
Parametric EQ
Graphic EQ
Effects
Modulators
Flangers
Phasers
Chorus
Tremolo and Vibrato
Reverbs
Delays
Chapter Three: The Source and Capture
Microphone Placement
One-Mic Techniques
Stereo Techniques
X-Y
Blumlein Pair
A-B
ORTF
Spaced Pair
Mid-Side or MS Technique
Trap Drums
Source Instruments
Drum Heads
Accessories
Gating Drums
Top-Down Recording
Overheads
Rooms
Kik Drum
Compressing Kik Drums
Snare Drum
Toms
Hi-Hat
Compromise
Bass
Acoustic Bass
Electric Guitar
Amplifiers
Tone
Miking Electric Guitars
The Two-Mic Technique
Overdubbing Electric Guitar
Pedals and Effects
Acoustic Guitar
Acoustic Guitar/Vocal
Creating Guitar Textures
Piano
Piano/Vocal
Rhodes, Wurli, Electric Pianos
Organ
Hammond B3 and C3
Synths
Strings
Horns
Percussion
Vocals
Vocal Overdub
Monitoring
Miking a Vocal
Vocal Mic Pre
Double Vocals
Background Vocals
Chapter Four: The Business of Recording
Opportunity Knocks
Practice, Practice, Practice
Personal Relationships
Positioning
It's Not About the Money, It's About the Money
Home Recording Facilities
Conclusion
The Clips

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