Securing Baritone, Bass-Baritone, and Bass Voices

Name: Securing Baritone, Bass-Baritone, and Bass Voices
Brand: OUP eBook
Price: 50.49 EUR
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Richard Miller(Autor*in)

OUP eBook (Verlag)

1. Auflage

Erschienen am 19. März 2008

228 Seiten

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978-0-19-804338-6 (ISBN)

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Inhalt

Intro
Contents
PART I . TECHNIQUE
Chapter 1. Who Is a Baritone? Who a Bass-Baritone? Who a Bass?
How to Determine a Male Voice Category
The Lyric Baritone
The Verdi Baritone
The Nonoperatic Baritone
The Baritenor
The Bass-Baritone
The Bass
Chapter 2. Beginning in the Speech-Inflection Range (the Onset)
Making the Transition from Speech to Song
Chapter 3. Managing the Breath
The Respiratory Cycle
Breath Management Methods
The Role of the Diaphragm
The Thorax
The Abdominal Musculature
Appoggio
Alerting the Singer to the Appoggio Experience
"Farinelli's Exercise"
Breath-Management Literature Examples for the Young Singer
Chapter 4. Vowel Definition and the chiaroscuro
The Role of Spectral Analysis
The Vowel Series and Their Formants
The Singer's Formant
"Voice Placement"
Voce finta
Securing the Chiaroscuro Tone
The Role of the Tongue
Using the Front and Back Vowel Series
Using Consonant Pairs to Induce Correct Tongue Postures
More on the Retroflex Tongue
The Role of the Jaw
The Role of the Facial Elevator Muscles
The Role of the Larynx as a Resonator
Dealing with Tension in the Lips, the Jaw, the Tongue, and the Neck
Using the Nasal Continuants in Balancing the Chiaroscuro
Chapter 5. Vowel Modification ("Cover"), Energization, and Range Equalization
Chapter 6. Moving into Middle Voice (zona di passaggio) and Above
Zona di passaggio Exercises for Lyric and Dramatic Baritone Voices
Exercises for Baritone That Prepare for the Region of the secondo passaggio
Useful Passages from the Literature
For the Bass-Baritone and for the Bass
Chapter 7. The Agility Factor
Agility Passages from the Literature for the Baritone
Agility Passages from the Literature for the Bass-Baritone and the Bass
Chapter 8. Further Consideration of "Resonance" in Baritone, Bass-Baritone, and Bass Voices
Chapter 9. More on Positioning of the Larynx
Securing Laryngeal External-Frame Support
Stabilizing the Larynx
Chapter 10. Pedagogic Uses of Falsetto for Baritone, Bass-Baritone, and Bass Voices
Chapter 11. The Phenomenon of Vibrato, an Inherent Component of Elite Voice Resonance
Chapter 12. Establishing Technical Security (Trusting the Body)
The Wisdom of the Body
Chapter 13. Developing an Individual Tonal Concept
Chapter 14. Dynamic Control, mezza voce, and the messa di voce
Chapter 15. Voice Viruses (Dealing with Some Common Problems of Male Low Voices)
The Unipeeper (Undersinging)
The Uniboomer (Oversinging)
The Shatterer (Intermittent Breaking in the Passaggio Region)
The Wanderer (Flatting and Sharping)
The Sausage Maker (Nonlegato Singing)
The Univoweler (Diction Distortion)
The Sluggard (Sighing and Yawning)
The Uniregistrant (The No-Register Singer)
Chapter 16. Contributing to Performance Effectiveness
Obtaining the Axial Position
The Role of Physical Quietude in Classical Singing
Distinguishing between Resonance and Nasality
Introducing the Uses of Strohbass
Voce aperta (Open Timbre) and voce chiusa (Closed Timbre), and the Larynx as a Resonator
Avoiding voce ingolata (Pharyngeal Timbre)
Raccogliere la bocca (una bocca raccolta): Natural Communicative Expression
PART II. PERFORMANCE PREPARATION AND ENHANCEMENT
Chapter 17. Performance Preparation and Enhancement
The Developmental Continuum
Dealing with Performance Anxiety
The Question of Relaxation
Marking Properly
Prevocal Warm-Up Activity
Early Career Preparation and Pursuit
Mastering the Art of Communication
Daily Regimen and Healthy Vocalism
Useful Passages from the Literature
Chapter 18. Early Repertoire Suggestions
A Few Less-Demanding Items for Baritone
A Few Less-Demanding Items for Bass-Baritone and Bass
Chapter 19. Choosing Audition Material
Appendix 1. A Sampling of a Few Great Baritones, Bass- Baritones, and Basses of the Past and Present Who Serve as Good Models
Appendix 2. What Should the Well-Equipped Teacher Know?
Appendix 3. IPA Symbols for Some Sung Vowels, with Model Words
Appendix 4. The Ten Commandments of Voice Pedagogy (Diagnosing and Prescribing)
Glossary
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Select Bibliography
Index
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