Radio Art and Music

Radio Art and Music: An Introduction

Jarmila Mildorf and Pim Verhulst

Chapter 1: The Making of a Nomenclature: José Iges on Radiophonic Art

Luz María Sánchez Cardona

Chapter 2: Maestro, If You Please: The Radio Producer as Musician

Jeremy Lakoff

Chapter 3: Norman Corwin, Bernard Herrmann, and Musical Direction for Columbia Presents Corwin

Reba A. Wissner

Chapter 4: "Attitudes toward History" and the Radiophonic Compositions of Daphne Oram and the Firesign Theatre

David McCarthy

Chapter 5: Between Art and Promotion: The Prix Italia, Its Historical Context and Aims in the First Fifty Years 1949-1998

Angela Ida De Benedictis

Chapter 6: A Canadian Experiment in Words-as-Music: Glenn Gould's Invention of Form in his Radio Program The Idea of North

Elissa Guralnick

Chapter 7: Jewish Musical Material in a 1946 American Radio Drama: "Rachel"

Paula Eisenstein Baker and Robert S. Nelson

Chapter 8: The Bad Violin's Good Politics: Music of Protest and Disavowal in The Jack Benny Program

Jade Conlee

Chapter 9: Shifting Hues of Blackface: Performance of Race in Radio Adaptations of Holiday Inn (1942)

Emily Lane

Chapter 10: Voicing the Other World: Music and the Victorian Occult in Midcentury American Radio Drama

Olivia Cacchione

Chapter 11: Collective Responsibility in Ingeborg Bachmann and Hans Werner Henze's Radio Drama The Cicadas

Lucy Jeffrey

Chapter 12: Music and Politics in the BBC Radio Adaptation of Alan Bennett's The Madness of George III

Jarmila Mildorf

Chapter 13: Adapting the Soundtrack of Revolution: Tom Stoppard's Rock 'n' Roll from Stage to Radio

Pim Verhulst

Chapter 14: Children's Songs as Socio-Political Comment in the Greek Radio Show Edo Lilipoupoli

Aikaterini Giampoura

About the Contributors