Thinking about the Elgin Marbles

The new edition of this insightful work begins with a critical
reexamination of the rival Greek and British claims to the Elgin Marbles. That
case study identifies the questions that continue to dominate the growing
international debate about cultural property policy and which are subsequently
explored in a newly-expanded array of essays:

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Why are people concerned about cultural property?

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Is cultural nationalism a sound organizing principle for dealing with cultural
property questions?

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Or is it a relic of 19th century romanticism, kept alive by the power of
Byron's poetry?

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How can one rationalize cultural nationalism with the idea that works of art
and antiquities are 'the cultural heritage of all mankind?'

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What are alternative ways of thinking about cultural property policy and law?

The work goes on to pay particular attention to the law and policy relating to
cultural property export controls and the evolution and development of the
1995 UNIDROIT Convention on the Return of Stolen and Illegally Exported
Cultural Property.

The second part of this highly-regarded book addresses a number of
contemporary art law issues in essays on counterfeit art, the moral rights of
artists, the artist's resale right (droit de suite), the litigation over the
Mark Rothko estate, and problems of museum trustee negligence, conflict of
interests, and misuse of inside information.

The author, John Henry Merryman, is an Emeritus and Affiliated
Professor in the Department of Art at Stanford Law School. He is a widely
respected authority in the fields of international cultural property and art
law.