Studies on Aby Warburg, Fritz Saxl and Gertrud Bing

Chapter 1. Personal correspondences and zodiacal alignments. Warburg's comments on the Palazzo Schifanoia lecture in 1912 / Chapter 2. 'IDEA VINCIT', 'The victorious, flying Idea'. An artistic commission by Aby Warburg / Chapter 3. A fight against windmills. On Rivista Illustrata, Warburg's pro-Italian publishing initiative / Chapter 4. On the origins of the Serpent Ritual Lecture. Motive and motivation. Healing through remembrance / Chapter 5. The Frantisek Pospisil-Warburg correspondence in the Warburg Institute / Chapter 6. Facets of a friendship: Aby Warburg and James Loeb. Friends, scholars, relatives, patrons of the art / Chapter 7. Fritz Saxl and Aby Warburg: appreciation of a friendship. Evaluating collaboration, tracing contacts to the 'Vienna School' / Chapter 8. A trouvaille from the Warburg Institute Archive on Mandaeism and Gnosticism / Chapter 9. Warburg's view of Strzygowski as reflected in the Aby Warburg Correspondence / Chapter 10. Bringing light into darkness. Aby Warburg and Fritz Saxl in conversation on Mithras / Chapter 11. Caricature as war effort: Aby Warburg's 'new style in word and image', 1914-1918. / Chapter 12. '...probably latent antisemitism' / Chapter 13. Aby to Gisela Warburg: against the 'Pioneers of This-Worldliness'. / Chapter 14. 'What I represent as a Jew, I can also represent as a Catholic'. On Alfons Augustinus Barb's scholarly career and his change of religion / Chapter 15. Aby Warburg's interpretation of the Russian translation of Struwwelpeter and the political parodies Struwwelhitler - A Nazi Storybook and Schicklgrueber. / Chapter 16. The 'Palazzo Potetje': Mary Warburg's triptych / Chapter 17. The Kulturwissenschaftliche Bibliothek Warburg seen through its archive in London and Dorothea McEwan's other research interests. Interview by Celine Trautmann-Waller with Dorothea McEwan, 2 August 2018