Accenting the Classics: Editing European Music in France, 1915-1925

Introduction

PART I. DURAND AND HIS ÉDITION CLASSIQUE
1 The Historical Evolution of the Édition Classique
Graham Sadler
2 Charting the Édition: Production Data, Musical Contents and Relationships
Deborah Mawer and Graham Sadler

PART II. COMPOSER-EDITOR CASE STUDIES
3 'De-Germanising' Music Publishing: Dukas's Beethoven in Wartime France
Rachel Moore
4 Mozart as 'Classic' in Early Twentieth-Century France: The Case of Saint-Saëns's Mozart Editions
Barbara L. Kelly
5 Making Mendelssohn (More) French: Ravel and Six pièces enfantines
Deborah Mawer
6 Accenting Bach: An Editorial Trajectory from Fauré to Roger-Ducasse
Deborah Mawer
7 Repackaging the Old Masters: The Place of Early Keyboard Music in the Édition Classique
Graham Sadler
8 Debussy's Homage to Chopin: as Editor, Performer and Composer
Appendix: Debussy-Chopin entries in the Livres de cotage (1919-90s)
Barbara L. Kelly

PART III. BEYOND EDITING: PEDAGOGY, PERFORMANCE, COMPOSITION
9 The Édition Classique in Action: Pedagogy and Performance
Rachel Moore and Barbara L. Kelly
10 The Édition Classique and French Neoclassicism: L'École moderne as Exemplar
Appendix: Alphabetical tabulation of composers and pieces
Deborah Mawer

Afterword

Select Bibliography
Index