Human Flourishing, Liberal Theory, and the Arts

Rezensionen / Stimmen

"An important and thoughtful book. Arguing that liberalism is not just about individual rights but also about personal growth and development, Mautner maintains that its ultimate goal is the enrichment and widening of human potentialities in all spheres of social life. In true Renaissance fashion, this book will remind its readers that the liberal project is not merely a legalistic device, but has the spheres of culture, creativity and the arts and their enjoyment as its core aim of human development." - Shlomo Avineri, Hebrew University of Jerusalem

"In Menachem Mautner's compelling genealogy of liberal thought, the contemplation of the arts and humanities is essential to the pursuit of an ideal life. His appraisal is as accessible as it is distinctive, supplying an urgently needed reminder that the pursuit of art is indispensable to individual happiness and social progress. Anyone seeking a corrective to the current belief in some quarters that art has become superfluous cannot do better than begin with this brilliant and deeply researched volume." - Lee Bollinger, Columbia University, U.S.A.

"[Menachem Mautner] furthers claims that "the liberalism of flourishing is better equipped than autonomy liberalism to compete with religion in the domains of big and deep meaning."65 Mautner is justified in making those claims. He has made a powerful case for a version of liberalism that is an attractive alternative to autonomy liberalism. In a secular age, the liberalism of flourishing provides citizens with means of gaining insight into fundamental existential questions. It is an important book and deserves to be widely read." - Gregiry S. Alexander, Canadian Journal Law & Jurisprudemce XXXII

"Human Flourishing, Liberal Theory, and the Arts skillfully and profoundly brings together aesthetics with theories of law, or, better yet, philosophy of art with social and political thought....It sets out a big theory, but does so carefully and precisely." - Michalle Gal, The British Journal of Aesthetics.