Life, Brazen and Garish

Rezensionen / Stimmen

"This novel by the acclaimed, bestselling author Dacia Maraini weaves together the competing perspectives and distinct voices of a daughter, mother, and grandmother who live together in contemporary Rome. Elvira Di Fabio's translation captures the rhythm, style, and pace of each woman's voice beautifully. A fast and entertaining read!" - Tommasina Gabriele (author of Dacia Maraini's Narratives of Survival: (Re)Constructed) "Brilliantly translated by Elvira Di Fabio, and eloquently introduced by Sara Teardo, Life, Brazen and Garish: A Tale of Three Women is a riveting medley of epistolary and diaristic women's voices. Dacia Maraini's polyphonic narrative mesmerizes and implicates us in its woman-centered family drama. The quotidian explodes-and we run for cover." - Edvige Giunta (coeditor of Talking to the Girls: Intimate and Political Essays on the Triangle Shirtwaist Factory F) "Life, Brazen and Garish will mesmerize and completely absorb the English-speaking reader regardless of their familiarity with Dacia Maraini's work. Maraini shapes this story of three women connected by intergenerational family ties (nonna, mother, and daughter) by exploring their distinct ways of expressing themselves. Elvira di Fabio's skillful and insightful translation of Tre donne. Una storia d'amore e disamore is a vibrant example of the power of words to shape identities." - Irene Zanini-Cordi (coauthor of Courting Celebrity: The Autobiographies of Angela Veronese and Teresa Bandettini) "Elvira Di Fabio's elegant and accurate translation is an important contribution to the ever-growing corpus of Dacia Maraini's works in English. Challenging conventional notions of life and love, in Life, Brazen, and Garish, Maraini follows a year in the life of an intergenerational trio of women from the same family through their written and recorded thoughts." - Ombretta Frau (Dorothy Rooke McCulloch Professor of Italian at Mount Holyoke College) "In Life, Brazen, and Garish, a family composed only of women in Dacia Maraini's best style (as in her 1981 play, Mela) investigates the ever-present possibilities of love and the word, as well as the word of love flowing out of Charles Baudelaire's verses. Gesuina, Maria, and Lori engage in a generational battle for the attention of a man, FranCois. Reading this story narrated through the women's multiple perspectives with different tools is a wonderful journey into the world of emotions." - Stefania Lucamante (professor at the University of Cagliari, Italy and Professor Emerita at the Catholic University of A)