Evolutionary and Biologically Inspired Music, Sound, Art and Design

Name: Evolutionary and Biologically Inspired Music, Sound, Art and Design | First International Conference, EvoMUSART 2012, Málaga, Spain, April 11-13, 2012, Proceedings
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First International Conference, EvoMUSART 2012, Málaga, Spain, April 11-13, 2012, Proceedings

Penousal Machado Juan J. Romero Adrian Carballal(Herausgeber*in)

Springer (Verlag)

1. Auflage

Erschienen am 23. März 2012

XII, 236 Seiten

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978-3-642-29142-5 (ISBN)

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Inhalt

Title
Preface
Organization
Table of Contents
Generative Choreography: Animating in Real-Time Dancing Avatars
Introduction
Description of the Performance
Description of the System
The Avatar Representation and the 'Metabolism'
The Behaviour System
Discussion and Future Work
References
Aesthetic 3D Model Evolution
Introduction
Aesthetic and Structural Evaluation of 3D Models
Mathematical Modelling
Preliminary Evaluation of Aesthetic Functions on 3D Model
A Voxel-Based L-System Language
Evolution of 3D Models Using Genetic Programming
Multi-Objective Evaluation
Results
Human Survey of Results
Comparisons to Related Work
Conclusion
References
A Local Search Interface for Interactive Evolutionary Architectural Design
Introduction
Background
Computer Generated Architectural Design
Active User Intervention
Grammatical Evolution
Original Interface Design
Experiment
Interface Implementation
Design Grammar
Euclidean Graph Distance
Experiment Design
Results
Conclusions and Future Work
References
Evolving a Library of Artistic Scene Descriptors
Introduction and Motivation
Preliminary Sessions
Learning Structural Similarity Predictors
Session Analyses
An Artistic Application
Conclusions and Future Work
References
Evolving Pop Art Using Scalable Vector Graphics
Introduction
Representation in Evolutionary Art
Scalable Vector Graphics
Basic Layout of an SVG Document
Genetic Operators for SVG
Initialisation
Mutation
Crossover
Experiments and Results
Conclusions and Discussion
References
Maintaining Population Diversityin Evolutionary Art
Introduction
Population Diversity
Genotypic Diversity
Phenotypic Diversity
Distance Functions
Genotype or Structural Distance
Phenotype or Image Distance
Custom Genetic Operators
Crossover
Mutation
Experiments and Results
Experiment 1: Custom Crossover
Experiment 2: Custom Mutation
Experiment 3: An Alternative NSGA-II Crowding Operator
Conclusions and Discussion
References
Populations of Populations: Composing with Multiple Evolutionary Algorithms
Introduction
Goals
Overview
Musical Considerations
Related Work
System Description
Creation of the Initial Population
Evolution of Populations
Analysis of Populations and Trajectories
Braiding: Combining Trajectories
Conclusions and Future Work
References
Fuzzy Rule Based System Ensemble for Music Genre Classification
Introduction
Musical Genre Classification
Musical Genre and FRBS
Fuzzy Rule Based Systems
Genetic Tuning
Ensemble of Classifiers: Considering Audio Sections
Results
Conclusions
References
A Computational Environment for the Evolutionary Sound Synthesis of Birdsongs
Introduction
The Sound of Syrinx
Evolutionary Sound Synthesis
Birdsongs DNA
The Genetic Operators
Soudscapes of Birdsongs
Experimental Discussion
Conclusion
References
A Platform for Evolving Controllers for Simulated Drawing Robots
Introduction
Simulated Robot Specification
The Simulated Robot Controller
The Controller Genome
The Evolutionary Computation Framework
Preliminary Experiments
Summary, Conclusions, and Future Work
References
Learning Comparative User Models for Accelerating Human-Computer Collaborative Search
Introduction
Background
Overview of TAU
Simulating a Human User
Experimental Setup
Experimental Results
Conclusion
References
Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used?
Introduction
Taxonomy and Survey
Fitness Scope
Fitness Basis
Future Possibilities
Memory and Scaffolding
Engagement with the Outside World
References
Interactive Evolution of 8-Bit Melodies with Genetic Programming towards Finding Aesthetic Measures for Sound
Introduction
Motivation and Background Material
The Proposed Approach
Results
Convergence to Subjective Optima
Towards Aesthetic Measures for Sound
Conclusions
References
Investigating Aesthetic Features to Model Human Preference in Evolutionary Art
Introduction
Features for Aesthetic Learning
Phenotype Features
Genotype Features
BioEAS: Bio-Evolutionary Art System
Experimental Results
Experiment Setup
Aesthetic Learning in BioEAS
Subjects Evaluation
Conclusions and Future Work
References
The Traveling Percussionist
Introduction
Related Work
The Percussion Graph
Progressive Percussion Graphs
Measuring Similarity
Optimization Process
Discussion
Optimization Filters
Composition and Traveling the Graph
Future Work
References
Genetic Programming for Musical Sound Analysis
Introduction
Background
Method
Instrument Samples
Timbral Features
Genetic Programming
Experiment
Results
Extended Run
Limiting GP to `Popular' Features
Comparison with Other Methods
Conclusion
References
Expression-Based Evolution of Faces
Introduction
Related Work
Overview of the Approach
Genetic Programming Engine
Face Detection
Fitness Assignment
Experimentation
Conclusions
Acknowledgments.
References
Graph Grammars as a Representation for Interactive Evolutionary 3D Design
Introduction
Background
From Context-Free Grammars.
.to Shape Grammars.
.to Graph Grammars.
.and Back Again
Representation and Implementation
Aesthetic and Computational Fitness
Evaluation
Design Outcomes
Results with Feature Vectors
Non-interactive Runs
Conclusions and Future Work
References
Polyphonic Transcription: Exploring a Hybrid of Tone Models and Particle Swarm Optimisation
Introduction
Related Works
Our Approach
Problem Formulation
Extract Relevant Pitches
Factoring Using Particle Swarm Optimisation
Results and Discussion
Evaluation Criteria
Experimental Results
Conclusion
References
Reinforcement Learning and the Creative, Automated Music Improviser
Introduction
Motivation
Reinforcement Learning
Adaptive Resonance Theory
Feature Encoding
Reward
Prediction
Composition Lesson
Discussion
References
Author Index

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