The Works of Lin Yutang

Acknowledgements

Introduction

0.1 Translation and recognition

0.2 Studying Lin Yutang from the perspective of translation and recognition

0.3 Chapter summary

Chapter 1 Lin Yutang and his view of recognition

1.1 Lin Yutang's life and works

1.2 Securing recognition: Lin Yutang's challenge to cultural reductionism

1.3 Lin Yutang's view of recognition

Chapter 2 Translation, literature and philosophy: Lin Yutang's three pillars and the space of zhongyong

2.1 Lin Yutang's theorisations of three pillars and the space of zhongyong

2.2 Zhongshi and foreignisation: Liberating China from the English-speaking world

2.3 Tongshun and domestication: Translating China as intelligible to the English-speaking world

2.3.1 Trans-editing

2.3.2 Trans-creation

2.3.3 Analogy

2.4 Mei and central harmony: A space of zhongyong through translation

Chapter 3 Translation and war: Lin Yutang's 'international contact' vs. The United States' isolationism

3.1 The United States' isolationism

3.2 An antidote for isolationism: Lin Yutang's 'international contact' and the war as a joint battle

3.3 Recognising China's strategic significance as a major ally in the Asia Pacific theatre

3.4 Lin Yutang's intervention in the Sino-American relations

Chapter 4 Translation and empire: Lin Yutang's vision of the new world order after the second world war

4.1 Lin Yutang's denunciation of Britain's imperialist mentality

4.2 Lin Yutang's belief in the Atlantic Charter and internationalism

4.3 India's freedom and racial equality

Conclusion

Index