Dueling Grounds

Introduction: "Revolution and Liminality in the Musical Hamilton": Mary Jo Lodge and Paul R. Laird Part I: Hamilton and History Chapter 1: "The Creation of the United States and the Broadway Stage" Paul R. Laird Chapter 2: "Economics Lessons in History with Alexander Hamilton: From Adam Smith to Broadway": Christopher S. Ruebeck and Mary Jo Lodge Chapter 3: "The Ten Dollar Opera: Hamilton as a New Modernism": Stuart J. Hecht Chapter 4: "Musical 'Founders Chic': 1776 and Hamilton as Heritage Musicals": Mary Jo Lodge Part II: Hamilton and Representation Chapter 5: "Hamilton's Gendered Entanglements": Stacy Wolf Chapter 6: "Taking Hamilton to the Streets: Lin-Manuel Miranda, Latinidad, and the Aesthetics of Accessibility" : Trevor Boffone Chapter 7: "Hamilton, History, Historiography": Rachel B. Herrmann Chapter 8: "A 'Model' American Musical: Hamilton and the Rise of Model Minorities": Sissi Liu Part III: Staging Hamilton Chapter 9: "Hamilton and the Liminal Director: Navigating the Space Between Writer and Star": Alan Patrick Kenny and Mary Jo Lodge Chapter 10: "Revolutionary Movement: 'Non-Stop' Ensemble Choreography at Work": Dustyn Martincich Chapter 11: "Telling the Story of Hamilton in the Twenty-First Century: the Layering of Historical and Modern Aesthetics Through Costume Design": Ella Hawkins Part IV: Singing Hamilton Chapter 12: "Long Live Hip-Hop: Hamilton and the Death (and Rebirth) of Hip-Hop" Cheryl L. Keyes Chapter 13: "Words Flooding the Senses: The Tradition and Impact of Hamilton's Vocal Stylings": Elizabeth Sallinger Chapter 14: "Hamilton - An American Musical: The Very Model of a Modern Major (British) Megamusical": Adam Rush Conclusion: "Revelation in Hamilton": Mary Jo Lodge and Paul R. Laird Index