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An Ode
Reading you, John Keats, at seventy I hurt
pierced again by your beauty that is truth,
was truth to me and my fourteen-year-old heart.
Knowing nothing of nightingales, my melting youth -
still blind to the perfection of a Grecian urn,
deaf yet to Darien, Homer a closed book -
burst open to 'La Belle Dame Sans Merci'.
This night my thoughts return
to that seeming simple-as-a-song ballad, to what it took
to have me come to poetry.
My joy forever? My truth and terror too.
This was the Cuban Missile Crisis, October '62.
In English, last week we'd finished St Agnes' Eve.
Next week, nuclear obliteration is due
unless there's a Khrushchev climb-down they don't believe
will happen. Countdown to doom.
Mr Valentine read us 'La Belle Dame' and into the room
came yon knight at arms, so haggard and so woe-begone
with the lily's pale anguish on his brow,
on his cheeks the rose fading, withering like our Now.
Was it to be all over and done
our nineteen-sixties sweetness scarce begun,
my warmed jewels never to be unclasped one by one,
my fragrant bodice never loosened, nor by degrees,
my unbuttoned garments fall rustling to my knees?
Oh I longed as I had never longed before
for my wild eyes to be closed, just once, with kisses four.
I couldn't sleep that night.
For next week we might
we really might, like you, poor dear John Keats, be dead.
I remember this so vividly I'm there
feeling again that middle-of-the-night deep dread,
standing looking out that window in the hall to where -
perhaps soon to be just gone, not here -
under the blueish lamplight our ordinary street
lay weirdly stilled and strange, like a Magritte
out of that art book off the school library shelf.
In my parents' room someone else not sleeping stirs -
we're all scared but you've to keep it to yourself.
Though day by day I see those wee tells betray their fears,
how they'd looked at each other, nothing said,
when Kennedy addressed his Nation. A blockade.
Now, hourly, when the news comes on I know
by their clenched attention to the radio . . .
It didn't happen. I am still alive,
still hunger for poetry, for life.
You never got to take sweet, silly, loving Fanny Brawne to wife,
John Keats, while I, who never thought to survive
into my beldame-years, must needs be stoical at seventy.
My Tom, dear husband of my heart, taken from me
and from this life he loved, an astonishing ten years ago.
I'm here. Birds still sing. Sometimes. I know, I know
I must try not to yearn
for all the sweetnesses gone and past return.
for Leslie McGuire
The boy is ten and today it is his birthday.
Behind him on the lawn
his mother and his little sister
unfurl a rainbow crayoned big and bright
on a roll of old wallpaper.
His father, big-eyed, mock-solemn, pantomimes ceremony
as he lights the ten candles on the cake.
Inside her living-room
his grandmother puts her open palm to the window.
Out in the garden, her grandson
reaches up, mirrors her, stretching fingers
and they smile and smile as if they touched
warm flesh not cold glass.
More than forty thousand years ago
men or women splayed their fingers thus
and put their hands to bare rock. They
chewed ochre, red-ochre, gritted charcoal and blew,
blew with projectile effort that really took it out of them,
their living breath.
Raw gouts of pigment
spattered the living stencil
that was each's own living hand
and made their mark.
The space of absence
was the clean, stark picture of their presence
and it pleased them.
We do not know why they did it
and maybe they did not either but
they knew they must.
It was the cold cave wall
and they knew they were up against it.
The birthday boy is juggling.
He has been spending time in the lockdown learning
but though he still can't keep it up for long
his grandmother dumb-shows most extravagant applause.
She toasts them all in tea
from her Best Granny in the World mug, winking
and licking her lips ecstatically as,
outdoors, they cut the cake,
miming hunger, miming
prayer for her hunger to be sated.
The slim girl dances
and her grandmother claps
and claps again, blinking tears.
Another matched high-five at her window.
Neither the blown candles nor the blown kisses
will leave any permanent mark
- unless love does? -
on them on this the only afternoon
they will be all alive together on just this day the boy is ten.
Maytime and I'm
on a fool's errand
carrying home this bunch of the dandelion clocks
which Shakespeare called chimney-sweepers
and a friend tells me his wee grand-daughter
in the here-and-now calls puffballs.
I'm holding my breath, and them, this carefully
because I want to take them home and try
to paint them, although
one breath of wind and in no time
I'll be stuck with nothing but a hank of
leggy, limp, milky pee-the-bed stalks
topped with baldy wee green buttons, for
golden lads and girls all must
as chimney-sweepers come to dust.
On daisy hill by the railway bridge
one lone pair of lovers laze in the sun.
A little apart from her, he lounges
smoking a slow cigarette and waits
smiling, half-watching her weave a bluebell chain
that swings intricate from her fingers, hangs heavy
till she loops it, a coronet upon her nut-brown hair.
I'm wondering is this to be her something blue?
She calls out to me, I to her,
as folk do in these days of distancing
and I can hardly believe it when she says
she never in all her childhood
told the time by a dandelion clock.
She's up to her oxters in ox-eye daisies, this girl.
The ones my mother, Margaret,
always called marguerites but never
without telling me again how my father
writing to her from France before Dunkirk or after D-Day
always began his letters Dear Marguerite.
The saying goes that a maiden
crowned by bluebells can never tell a lie
the girl informs me, solemn as she
crosses her fingers, each hand held high.
The smoke from her lover's cigarette is
almost but not quite as blue as
the frail blooms - time, truth and a promise - that
she's braided together on this their one-and-only
sure-to-be-perfect summer's day.
Oh Marguerite Margaret my Mum
who never got to be as old as I am today
did you ever hear tell of this proverb?
Oh Mum how much I wish I could ask you
this and so many other
small and silly things, but
Slender foxtail grass
Yorkshire fog
silvery hair grass
floating club rush
silky bent grass.
barren brome grass.
Meadow soft grass
Marram grass
sweet vernal grass
mountain melick
loose sedge.
great panicled sedge so
easily
Blue moor grass
mistaken
sea hard grass
for japanese blood grass.
glaucous sweet grass
bearded couch grass
Lyme grass
common quaking grass
wood millet grass
switchgrass also known as
sheep's fescue
great panic grass
wall barley
perennial rye grass
wild oat
pendulous wood sedge.
darnel.
Wild,
wild weather, that ragged crow blown across the road like
a scrap of ripped old black binbag and every time the wind drops
the air full of the roar of the rut, each maculate leaf
a leopard changing its spots
brave snowdrops on the ground
scant snowdrops from the sky
a wishbone on the windowsill
These are the shortened...
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