Widowhood and Visual Culture in Early Modern Europe

Rezensionen / Stimmen

Prize: Winner of the Society for the Study of Early Modern Women Award for a collaborative project published in 2003.

'These essays by promising young scholars open new angles of vision on the experiences and representations of widowhood in early modern culture. The collection is distinguished not only by its impressive chronological and geographical range; it also shows how little-known images and neglected objects shaped the accumulated meanings surrounding widowhood and public memory. Equally sensitive to both the historical and visual contexts, this book reveals with stunning clarity how death and remembrance in early modern Europe were informed by gender and power relations.' Sharon Strocchia, author of Death and Ritual in Renaissance Florence

'Through the exploration of an impressive range of forms of visual culture and mourning rituals this book draws attention to an unwritten chapter of the history of widowhood: the key role that the widow was called to play in the preservation and construction of her husband's social memory. ... a must-read not just for historians of gender but for all those interested in developing their understanding of the multi-layered role of images in early modern society.' Sandra Cavallo, Reader in Early Modern History at Royal Holloway, University of London

'Collectively, the essays illuminate the important contributions widows made to the production of visual materials and to the shaping of identity and memory. The volume is a useful addition to gender studies and the growing literature on the complex role of images in early modern society.' Choice

'The strength of this collection lies in its broad geographical and chronological scope and the interdisciplinary nature of its essays which reflect a diversity of critical approaches and examine widowhood and visual culture from multiple perspectives.' Marilyn Dunn, Renaissance Quarterly