Queer Tracks: Subversive Strategies in Rock and Pop Music

Rezensionen / Stimmen

'From Grace Jones to Gaga, divas to dildos, Queer Tracks is an original and theoretically important contribution to the corpus of queer popular music studies. Through captivating accounts of rock and pop performers and texts, Doris Leibetseder's provocative analysis of queer aesthetics, tactics and subversive strategies makes for an utterly compelling and enlightening read.' Jodie Taylor, Queensland Conservatorium, Griffith University, Australia and author of Playing it Queer: Popular Music, Identity and Queer World-making 'Queer Tracks takes up its place in a growing body of scholarship genuinely concerned with queer strategies in popular music. In it, Doris Leibetseder navigates well the waters of queer theory, drawing on a wide range of theoretical concepts, from irony, parody, satire and camp, through mimesis, mimicry, and masquerade, to cyborgs and trans. Along the way, she guides the reader confidently through well-informed interpretation of a number of classic cases - Madonna, Peaches, BjA?rk, Grace Jones, Annie Lennox - and pulls in strands from feminism and critical race theory. This book will prove a useful resource to any scholar or student in the field of popular music studies who is interested in issues of gender, sexuality, race, or identity at its broadest.' Freya Jarman, University of Liverpool, UK