Music and Shape

Contents List of Contributors About the Companion Website Introduction: The malleability of shape - Daniel Leech-Wilkinson and Helen M. Prior Section I: Shapes mapped 1. Reflection - Evelyn Glennie 2. Postures, trajectories and sonic shapes - Rolf Inge Godøy 3. Reflection - Lucia D'Errico 4. Shape, drawing and gesture: empirical studies of cross-modality - Mats Küssner 5. Reflection - Anna Meredith 6. Cross-modal correspondences and affect in a Schubert song - Renee Timmers and Zohar Eitan Section II: Shapes composed 7. Reflection - George Benjamin 8. Shapes of affect in Bach's Sonata in G minor for Unaccompanied Violin - Michael Spitzer 9. Reflection - Steven Isserlis 10. Shape in music notation: exploring the cross-modal representation of sound in the visual domain using zygonic theory - Adam Ockelford 11. Reflection - Alice Eldridge 12. Shape in improvisation - Milton Mermikides and Eugene Feygelson Section III: Shapes performed 13. Reflection - Max Baillie 14. Musical shape for performers - Helen M. Prior 15. Reflection - Simon Desbruslais 16. Reflection - Malcolm Bilson 17. Shaping popular music - Alinka Greasley and Helen M. Prior 18. Reflection - Steve Savage Section IV: Shapes seen 19. Reflection - Mark Applebaum 20. Reflection - I-Uen Hwang 21. Music and shape in synaesthesia - Jamie Ward 22. Reflection - Timothy B. Layden 23. Reflection - Stephen Hough 24. Reflection - Alex Reuben 25. The shape of music in dance - Philip Barnard and Scott deLahunta 26. Reflection - Richard Mitchell Section V: Shapes felt 27. Reflection - Julia Holter 28. Musical shape and feeling - Daniel Leech-Wilkinson 29. Reflection - David Amram 30. Reflection - Antony Pitts Index